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Bibliographic Items
New Biography: Armand Sabah
Oud player & Expert in the musical tradition of Morocco and Algeria
born 1952
Revisiting a Forgotten Treasure in Philadelphia
Rediscovery of the Music of the Haupt-Synagogue of Mannheim at the Library of Gratz College
Song of the Month: Fog al-Nakhal (فوق النخل)
Multicultural and Transnational Journeys of an Iraqi Folksong
Origins and Trajectories of the Diwan of the Jews in Central Yemen
A new project of Jewish Music Mapped
HaTikva: The Hope and its Discontents
A lecture by Edwin Seroussi
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The “Jewish Baroque”: The Allure of a Modern...
Projects
Amnon Shiloah
Israeli musicologist
1928-2014
Biography
Song of the Month
Fog al-Nakhal (فوق النخل): Multicultural and Transnational Journeys of an Iraqi Folksong
Hava Nagila
Bibliographic Items
Lekhaim (LKT)
This entry is part of the Lexicon of Klezmer Terminology (LKT). The LKT compiles a wide array of source materials that shed light on the historical...
Concepts
Stutschewsky's 13 Jewish Folk Tunes
Store - Music
Judeo-Caribbean Currents: Music of the Mikvé...
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The Music of the Mountain Jews
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Hoshna’na Rabbah in Casale Monferrato 1732: Dove...
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Ten Zemirot Ami: New Melodies for Piyyutim from...
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Yuval - Studies of the Jewish Music Research...
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Between Tradition and Modernity: The High Holy...
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The Israeli Folk Song: A Methodological Example...
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Yuval - Studies of the Jewish Music Research...
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Spanish-Portuguese Synagogue Music in Nineteenth-...
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A Polka Mazurka
Niggun of the Meggid of Mezerich
From the album, "The Hasidic Niggun as Sung by the Hasidim." This dance niggun is the seventh and last in a series of niggunim sung by Bratslav Hasidim as they dance after the Shabbat evening service on Friday night. Some have attributed the niggun to R. Dov Ber, the meggid of Mezerich.
Kol B'ru'ei (Padua, Italy)
From the album, "Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961)." The poem depicts "all creatures" singing and praising the unity of God, and was recited in the Italian rite during the daily morning prayer. This melody was sung only on Rosh Hashanah (New Year) in the Italian tradition of Padua.
Yigdal
From the album, "Judeo-Carribean Currents, Music of the Mikve Israel-Emanuel Synagogue in Curaçao," performed by Gideon Zelermyer. The Yigdal is part of the ceremonial section of the liturgical order of Shabbat and the Holy Days in the Curaçao synagogue. It is one of the ending hymns of the service.
Eres Chiquita y Bonita
From the album, "Judeo-Spanish Moroccan Songs for the Life Cycle," sung by Alicia Bendayan from Tetuan. This is a song about courtship, related to the Jewish rituals that mark the events of the life cycle.
Sweet Shalt Be My Chant
From the album, "Kulmus Hanefesh," performed by Yair Harel on voice and tar, and Matti Kovler on voice and piano. A sacred hymn attributed to Rabbi Yehuda ha-Chasid, this is a Chabad tune with a near-Eastern arrangement.
Lyr II
From the album, "The Music of the Mountain Jews." Lyr is a genre found among all Turkish peoples, consisting of long, complex compositions usually comprised of three parts.
Gilu ha-Galilim (Rejoice Galileans)
From the album, "Nights in Canaan, Early Songs of the Land of Israel (1882-1946)." This is a Second Aliyah (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both native-born and newly arrived pioneers sang this song in all circumstances.
Saperi Tama
From the album, "With Songs They Respond: The Diwan of the Jews from Central Yemen." This is a girdle poem by Se'adia ben Amram. Saperi Tama is sung to many melodies and is one of Yemenite Jewry's most common poems.