(179 results found)
Zhok (LKT)
… piece in triple meter, usually written in 3/8, whose rhythm is distinctive because of the lack of a second … 19 . “The zhok, or Rumanian hora, is a slow piece in a 3/8 rhythm, with the second beat omitted. The pattern is: 1-3 … ‘krimme tantz’ (cripple’s dance) because of its limping rhythm. All rhythm instruments accompany the zhok with a …
Tants nign (LKT)
… [and] the waltz words were sung which went with the rhythms.” Stutschewsky 1959, pp. 166-67, n. 55 . “Dance … contain just one musical phrase with syncopated or bouncy rhythm and that phrase would be repeated endlessly. Vinaver …
Hopke (LKT)
… dance tune. In other cases it refers to a shrot, joyful and rhythmic dance tune in two of [sic] three sections. Vinaver … and hopping in a circle, rather than graceful pose or soft rhythmic movement. The hopke is danced by Hassidim at … contain just one musical phrase with syncopated or bouncy rhythm and that phrase would be repeated endlessly. Vinaver …
Mitsve-tants (LKT)
… Leon Schwartz calls this tune bulgar and plays it in both rhythms.” Schlesinger, Alpert and Rubin 1989 . … shtetl joined this way in an enthusiastic dance to the rhythm of the music.” [Apt [Opatov], Poland, 1892]. Teytel …
Besem-tants (LKT)
… body, feet, and hands follow the dance melody, and fixed rhythm—the rhythm and the tempo determine the dance form.” Stutschewsky …
Khosid/Khosidl (LKT)
… circle or line dance in Hasidic style, in a stately 2/4 rhythm. In some regions of Eastern Europe, synonomous with … of Dave Tarras... Though set at a freylakh speed the rhythm by the accompanying accordion and trap set seems more … Leon Schwartz calls this tune bulgar and plays it in both rhythms.” Schlesinger, Alpert and Rubin 1989 . ( Recording …
Bulgar (LKT)
… playing of Dave Tarras... Though set at freylakh speed, the rhythm by the accompanying accordion and trap set seems more … Bulgar has a totally different principle of relation rhythm to notes than vocal music. Tarras’ style is well … the adaptability of many Jewish tunes to a variety of rhythms: e.g. from a hora (3/8) into a bulgar (2/4) time.” …
Doyne (LKT)
… one partially, and two reproduce the typical roulades, rhythms and intonations of Moldavian doinas. A taksim and a … Twenty-five dance tunes in the volume are built on the rhythms and intonations of the Moldavian dances that … the typical terkishe (Actually Greek sirto ) back up rhythm, albeit at a slow pace.” Phillips 1996a, p. 46 . ( …
Taksim (LKT)
… one partially, and two reproduce the typical roulades, rhythms and intonations of Moldavian doinas. A taksim and a …
Volekh (LKT)
… These niggunim are characterized by slow tempi, free rhythm, recitative elements generally appearing at the end … el). Style of folk song, either in recitative or rhythmical manner, that originated in Walachia, in Romania. …