(23 results found)
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Tish-nign (LKT)
This entry is part of the Lexicon of Klezmer Terminology (LKT). The LKT…
Yom Yom Odeh: Towards the Biography of a Hebrew Baidaphon Record
Introduction
It is November 15, 2016 and I am sitting in a car, driving on a mountain…
Book review: James Kaplan, Irving Berlin: New York Genius
James Kaplan, Irving Berlin: New York Genius. New Haven: Yale University Press, 2019…
Book Review: Charles B. Hersch, Jews and Jazz Improvising Ethnicity
Charles B. Hersch, Jews and Jazz Improvising Ethnicity. New York: Routledge, 2017…
German Jewish Sacred Musical Intersections
This project aims to map, analyze and make German Jewish liturgical music (minhag…
Ethiopian Jews in Israel - a Musical Ethnography
I spent the summer of 1989 living in a Nazareth Illit (today Nof HaGalil) neighborhood…
44. ¿Por qué no cantáis la bella? (Çakum Effendi)
This song consists of two lines of ¿Por qué no cantáis la bella? (CMP J4), a rare…
A Recovered Voice from the Past
Preface
The history of the Jews, Heinrich Graetz, the great nineteenth-century German…
Irme quiero, la mi madre (La choza del desesperado)
This is a romance formulated in the first person, interspersed by expressions of grief…
39-40. David llora a Absalón
This romance about King David who is in anguish while expecting news from his son,…