… song for Havdalah (outset of the Sabbath) throughout the Ottoman Empire. It appeared in manuscripts starting at the beginning … Rabbi Abraham Toledo, who was an important Sephardic Ottoman poet active in the late seventeenth and early …

… to Arab, Persian—and later, when they came under Ottoman rule—Turkish cultures, a process that continued … conflicts that followed the fall of the Ottoman Empire and the end of European colonial rule in …

… which the Jewish poets tried to fill with Hebrew words. … Ottoman Hebrew Sacred Songs … Songs … Song … Piyyutim … Ottoman … Ottoman Empire … Song … Songs … Piyyutim … Piyyut … Makam segah- Yah …

… performance of very long originally instrumental pieces. … Ottoman Hebrew Sacred Songs … Songs … Song … Piyyutim … Ottoman … Ottoman Empire … Song … Songs … Hymns … Piyyutim … Piyyut … Makam …

… and transnationalism in specific contexts such as the Ottoman Empire, and the constitution of Jewish identities through … diverse as colonial Morocco and Algeria, Germany’s Second Empire and the Austro-Hungarian Empire, the Yishuv in …

… that he may have heard from Spanish artists touring the Ottoman Empire. For a thorough study of this song, see Seroussi 2012 … … Salonica … Judeo-Spanish - Ladino … Ladino Songs … Ottoman Empire … Sephardi music … Salonica … Saloniki … …

… state of Sephardi music in the large urban centers of the Ottoman Empire ca. 1890-1918. Click to see updates to the booklet of …

… which he may have heard from Spanish artists touring the Ottoman Empire (Seroussi in press 1). A la una nací yo, a las dos me …

… This seems to indicate that ‘Mi-pi El’ originated in the Ottoman space not long before the early 18th century. Be as … seems to have been in the easternmost margins of the Ottoman Empire, namely Palestine, Syria and Iraq and its reception …

… among the Jewish communities scattered throughout the Ottoman Empire during the 16 th to 20 th centuries and developed under Turkish-Ottoman and Arabic musical influences.   Contents The …