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Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
Introduction
Jewish cantillation—the intoned reading of Torah, Haftarah, and other…
Between Tradition and Modernity
Between Tradition and Modernity: The High Holy Days Melodies of Minhag Ashkenaz…
Niggun ‘Akedah: A Traditional Melody Concerning the Binding of Isaac
Niggun ‘Akedah is an Ashkenazi melody firmly associated with the Binding of Isaac,…
The Edith Gerson-Kiwi Legacy
“From Berlin to Jerusalem and Back - The Letters of German-Jewish Musicologist Edith…
Review essay: Kevin C. Karnes and Emilis Melngailis, Jewish Folk Songs from the Baltics
Kevin C. Karnes and Emilis Melngailis, Jewish Folk Songs from the Baltics:…
Jewish Music Collections at the Vernadsky National Library of Ukraine in Kyiv
Jewish Music Collections of the Vernadsky National Library of Ukraine in Kyiv, aka the “…
Ethiopian Jews in Israel - a Musical Ethnography
I spent the summer of 1989 living in a Nazareth Illit (today Nof HaGalil) neighborhood…
Pete Sokolow
Pete Sokolow, a Brooklyn native, is a jazz and klezmer pianist and reed player whose…
Nitzan Hen Razael
Nitzan-Chen Razael grew up in Jerusalem in a musical family. His grandfather was a…
Avigdor (Tibor) Herzog
The Jewish Music Research Centre mourns the recent passing of ethnomusicologist…