(167 results found)
8. Venid venid vos contaré (Jacob Algava)
… Although the text is rare, the melody of this song is a very popular one adapted to other … “Por la tu puerta yo pasí.” Thus, the association of this melody with an array of stanzas combined in diverse order is …
10. La seducida en la fuente (CES)
… by the seventeenth century ( Incipitario , no. 14). The melody in this version, with its distinctive waltz rhythm …
14. El nacimiento y la vocación de Abraham (CES)
… Ladino song in the modern discography. It has a distinctive melody and refrain (“Abraham avinu padre querido”) and is … documentation of “La mujer de Terah” with this metered melody. Its opening stanza connects the text to the actual …
15. Cinco años ya va hacer (CES)
… años ya va hacer also appears as a melodic incipit for the Hebrew poem Yah el magen ve’ozer (acrostic Yehuda) one of … the melodies of songs in Ladino appearing in collections of Hebrew poetry from late-nineteenth- and early … 1871- 1936) and published in Jerusalem in 1896/7. The melody of Cinco años ya va hacer as notated by Levy …
16. El pájaro de amor (CES)
… located in Hemsi’s version at the opening of the song. The melody is very similar to the one registered for the many …
18. La hermosa durmiente (CES)
… of the CES is unique in that in every second stanza the melody starts from the upper register. Pedrí tresoro, bienes …
19. El guitarrista + La firmeza de las estrellas + El enamorado engañado (CES)
… I, nos. 34, 35), have lost the rhapsodic character of the melody that is preserved in the historical recordings (see …
24. El buceador (CES)
… water in the fragment of this song that she remembered. The melody in 6/8 in this recording is quite distinguishable in …
26. La rosa de mayo + Los bilbilicos (CES)
… a similar version with an additional fourth stanza. The melody was adapted at an early stage to religious Hebrew texts, especially to the Sabbath table song, Tzur …
27. El alma dolorida (CES)
… prelude, interlude and postlude, with stanza 6 sung to its melody. This last stanza contrasts with the first five …