(1509 results found)
6. Yad Mu‘ai Sili (My Tears Go Down)
… the 1930s. The singer is Salima Murad (a Jewish singer part of the al-Kuwaiti group). Recorded in Iraqi in the mid …
5-6. Taqsim
… in maqam farah faza , inspired by Simon Shaheen . Track 6 (part 2) continues from Track 5 (Part 1), introducing a modulation to maqam ajam and …
2. Maqam Bayat Nawa
… taqsim (extended), abudiyyah , song (“ Ya Qalbi!” “My heart!”), another abudiyyah , another song ( maqam siga ). …
2. Taqsim, Abudiya, and a Song
… Performance by Milu Hamamah , starting with a violin taqsim , followed by abudiya in Maqam …
Niña llena de brillos (Ah ninia Jena di brillos, Ah ninia lüna di brilles)
… in many of Haim's recordings. Ah, niña llena de brillo, es martirio esto mío, me siento un frío frío en pensando yo en …
Yossef (Yusuf) Zaarur
… became an autodidact. At the age of fourteen Zaarur began participating in performances by two exclusive chalgi … to the Jewish singer Suad Zaki and the couple spent parts of their lives in the United States and later on in … 1918, acquiring command of this complex instrument in part by listening to commercial recordings that became …
Muero yo de Amor (Muero io de amor, Muero lio do amor)
… con ardor, pasí montañas con dolor. Alcancí a la fin abrazarte. Sabor es todo mi alma, mi alma, mi alma. A la kef, a …
1. Oh Lovely Parrot!
… singing the song. In both versions, the parrot or parrots start out living in or near Palur but are forced to flee from … but they knew it because they used to enjoy attending parties where it was sung with dancing by women in another … location. ________________________________ [1] Kŏvil is a particularly tasty and attractive fruit (Zacharia 2005, 139). …
Mugham and Täsnif (mugham Shushtär)
… piece (called simply Mugham ), followed by a Täsnif (art song). The text of the first section is a love song (" …
Iyr (1)
… are long, complex compositions usually consisting of three parts. The opening is a free polyphonic introductory section … from well-known songs. It is followed by a short second part which alludes to rhythms from the upcoming sections. The … rhythm improvisation of the opening section. The third part cinsists of several melodies, each in a tempo faster …