(614 results found)
66. El amor furiente (Sida Musafija)
… open most versions. Stanzas 3-4 are unique to Musafija’s recording. Other versions include additional stanzas, but …
67. La seducida en la fuente (La Gloria)
… the version by the Compagnie Espagnole de Salonique, this recording by La Gloria has a fixed refrain whose second line …
68. Los árboles llorosos ( La Gloria)
… See our notes to nos. 13 and 41 above. In La Gloria’s recording, the first two lines of each stanza are performed …
69. Asiéntate te hablaré (La Gloria)
… melody (see above notes to nos. 6 and 38 ). Besides this recording, there is only one other version in a commercial recording from Bulgaria based on the collection of Nikolay … of which the second corresponds to the third one in our recording. Aséntati te hablaré por una de merita Que sos la …
70. El barón despreciado ( La Gloria)
… style. It was also recorded twice by Haim Effendi, whose recordings probably made it famous ( 2008 , CD III, no. 15) … Instrumentalni i Pjevački Terzett (see below no. 75 ). This recording is unique due to its a capella choral …
72. Los brazos candelares (La Gloria)
… the text sung here is “Tus brazos candelaros.” The recording is truncated in the middle of the third stanza. … 1956 , p. 27, reproduced in Attias 1972 , no. 108 (partial recording in NSA Y 09491); Elazar 1987 , p. 151. Tus brazos …
73. Melisenda insomne (La Gloria)
… songs in the modern discography. The last stanza of this recording is very rare. According to Petrovic (1990), the …
74. La esperanza (La Gloria)
… This is the earliest recording (1907) of a Judeo-Spanish version of the Zionist …
75. El barón despreciado (Bosanski Instrumentalni i Pjevački Terzett)
… See above no. 70 , our notes to the recording of the same song by La Gloria. Unique to this recording is the dominant instrumental arrangement of …
77. Tu sos una rosa (Bosanski Instrumentalni i Pjevački Terzett)
… Y 09491). The second line is hard to decipher from the recording, however it is consistent in all versions and …