… triplet motion in the melody performed against a brisk 2/4 rhythm, Jewish sirbas -- especially outside Romania -- do … dance tune typified by triplets in the melody over a 2/4 rhythm.” Alpert 1996b, p. 59 .  “The transitional or … differences, both the sirba and the bulgareasca were rhythmically differentiated from the core klezmer dance …

… three relative ones (melodic similarity, pitch axes, and rhythmic similarity) are outlined. By encoding each variant … … Romance … Songs … Romancero … Structure … Roman … Rhythm … Rom … Modality … Sephardi … Judith Etzion … Susana …

… Hassidic … Music … Research … Niggun … Ashkenaz … Hasidic … Rhythm … AMSG … Ashkenazi … מרדכי (מוטי) נאמן … פורום אשכנז: …

… and specifically Mizrahi elements—modes, forms, textures, rhythms, and orchestration such as Arab maqamat, taqsim and nouba, heterophony, uneven meter and rhythms, and preference for woodwinds, strings, and certain … Names, (1964) he conceived new ideas concerning the use of rhythms of the Hebrew language. Hirshberg and Shmueli’s book …

… of the third stanza to three melodies: the first in flowing rhythm, the other two in duple meter accompanied by a tin …

… liturgical chant. Its central thesis is that melody, tempo, rhythm, vocal quality and other parameters of music should …

… Ages … Notes … Hebrew cantillation … aharon … Chords … Rhythm … minor … pentatonic … major … Signs … AMSG … …

… circle or line dance in Hasidic style, in a stately 2/4 rhythm. In some regions of Eastern Europe, synonomous with … of Dave Tarras... Though set at a freylakh speed the rhythm by the accompanying accordion and trap set seems more … Leon Schwartz calls this tune bulgar and plays it in both rhythms.” Schlesinger, Alpert and Rubin 1989 . ( Recording …

… Nusach - Nusah - Nusakh … Transcriptions … Style … Motifs … Rhythm … Informant … mode … Baal tefila … Rhythm Style … Professional Style … Personal Style … Micro … …

… In the present recording, the melody is sung in flexible rhythm; originally, however, it may have had a clear beat. … …