… scholarship that many scholars stick with a very narrow range of topics.  Some even rewrite the same book, over and … readers might feel that they have walked into a rather strange intellectual world.  Some of the terms and phrases … might find this a bit off-putting, and might become estranged from the book.  I think that Cherlin has done what he …

… its authorship by Tolner (Beregovski 2013, #164). Its arrangement by Arno Nadel appeared in 1910 under the title … (measures 1–8); the second half (measures 9–16) expands the range’s high limit further (up to e♭’ ), as do the following … and a general sense of introspection created by the limited range and multiple repetitions of the same notes. As in the …

… Sephardic traditions. These are two tunes of very narrow-range that hardly distinguish melodically between the … stanzas is clearer than in our recordings. Also its melodic range is much broader when compared to the recorded versions …

… community members. While his recordings encompass a wide range of Sephardic traditions, he took particular interest …

… both of them are constructed similarly. Both have the same range - an octave - and the central tone is the fifth. At …

… also add the two tones below them, so that here, too, the range is a tetrachord for the most part. The melodic pattern …

… every stanza the ensemble's refrain is sung. Its melodic range is limited to a tetrachord. The final repetition of …

… and snapping of fingers. The melody is mostly within the range of a tetrachord, with the addition of a minor third at …

… the chanting of the other books of the Bible. The narrow range and repetitive pattern of the melody are similar to …

… this text, the Sephardi melody is a litany with a narrow range that blends embellished with strictly syllabic …

… 9 and below no. 17 ) but more developed and with a wider range. The beat fluctuates between a clear style and a more …

… most likely came across this song in the vocal arrangements by Alexander Schitomirsky (in Kisselgoff, … no. 44) or Joel Engel (1923, no. 24). Stutschewsky’s arrangement shares the A freygish tonality with … to song no. 8 of this album. "Unter dem kinds wigele"  arranged by Alexander Schitomirasky (Kisselgoff, Schitomirsky …