(62 results found)
Avigdor (Tibor) Herzog
… His ties to the national religious movement and his musical and musicological upbringing soon opened doors of … goal of this new institution was to document Jewish musical traditions and make them available to the educational system … and he entertained the possibility of completing a doctoral dissertation on this subject at the University of …
An Ashkenazi version of “Ehad mi yode’a” in…Arabic
… remarks refer to the two main sharqi versions documented musically, the ones from the ancient cities of Aleppo … (Radio Israel) in the framework of the documenting of Seder traditions of all Jewish communities initiated by the … mi yode’a.” It speaks however scores about the vitality of oral traditions and the intimacy of single family memories. …
Eastern Mediterranean Judeo-Spanish Songs
… public interest in the role commercial recordings had on musical traditions from the early twentieth century, that production … Social Cajo Duero. … Díaz Mas, Paloma 1994 >>> Poesía oral sefardí . La Coruña: Esquío-Ferrol. … Elazar, Samuel M. …
Tzur mishelo akhlanu
… the festive Sabbath eve meal, are a favorite location for musical creativity in most Jewish traditions. The Portuguese Jews in New York City were, … … Birkat Hamazon … Cardozo, Abraham Lopez … Netherlands … Oral … Portuguese … Zemirot … ניו יורק … פיוטים … שבת … Tzur …
Kol beru’e ma’ala umata
… in the Italian tradition of Padua (see: Italian Jewish Musical Traditions from the Leo Levi Collection , AMTI 0201, 12) … … … Cardozo, Abraham Lopez … Italian Jews … Netherlands … Oral … Portuguese … בקשות … ניו יורק … Kol beru’e ma’ala …
Im tashiv (Qiddush shel Shabbat)
… commandment (Exodus 20:11) and this serves as a textual and musical transition to the major mode in which the … the Moroccan and the Western Sephardi liturgical music traditions. … The Western Sephardi Liturgical Tradition as … … Amsterdam … Cardozo, Abraham Lopez … Netherlands … Oral … Portuguese … אברהם לופז … ניו יורק … שבת … Im tashiv …
Idelsohn’s trilingual autobiography and Yiska Idelsohn’s oral memoire
… sounded beautiful to me, loved singing and had a very good musical memory, excellent for remembering melodies that he … I have to admit that I liked least the singing of the choral-cantor and his choir, to me it sounded too cold and the … despite the former, the Jewish elements are found in all traditions, and only these are of interest to the scholars. …
Léibele Schwartz
… from the tango scene. He carried out his first public musical performances in the modern orthodox Great Temple on … music, Néstor transcribed the melodies created by Léibele orally and made the arrangements. Among his original works … Hasidic songs and songs from the Ashkenazi and Sephardic traditions (see Discography below ). In 1986 he filmed a …
A cantor’s pledge in the High Holyday’s Provençal liturgy (Minhag Carpentras)
… that the transcribers attempted to faithfully convey the oral tradition in music notation without letting their … logic, that they preserved older layers of Jewish musical memory although he did not discount also the … indeed shows a certain allegiance to the Western Sephardic traditions, especially those from Livorno. However, a closer …
5. Mi-Pi El (De Boca del Dio)
… Printed translations of ‘Mi-pi El’ into Ladino are rare. In oral memory, only the refrain ‘De boca del Dio’ has been … representative of the Ottoman and North African Sephardic traditions. These are two tunes of very narrow-range that … in and outside Israel. Among the most important historical musical documents we possess of the melody of ‘Mi-pi El’ is …