(381 results found)
60. Noche de alhad (Elie Cohen)
… 1989 , no. 23). Cohen’s version, presenting the traditional melody in makam Hüseyni, includes four stanzas and is quite similar to Algazi’s. Sephardic Ottoman Jews use this melody also for Lekha eli teshuqati by Abraham Ibn Ezra, a …
54. Yo no entiendo la mi madre (Isachino Pessah)
… o El amante ladrón ); Attias 1972 , nos. 24, 25, 103. The melody is very similar to that of the song La maldición de …
50. Bezokhri 'al mishkavi (Çakum Effendi)
… longer and includes a fragment of the third stanza. The melody as well as the clarinet accompaniment are 113 … identical to Haim Effendi’s setting. It is a slow, metered melody in makam Uşşak with an interesting rhythmic cycle of …
49. Im afes (Çakum Effendi)
… from Haim Effendi’s published version of 112 the text. This melody in makam Uşşak/Hüseyni is one of the most widespread … Isaac Algazi recorded Im afes with this same traditional melody but with the Hebrew text ( Seroussi 1989, no. 3). Si …
43. El infant cautivo (Çakum Effendi)
… by instrumental interludes played by oud and clarinet. The melody in the ABCD form is characteristic of Sephardic …
39. Una huerfanica amo yo (CES)
… An unknown song defined as a şarki in makam Hüzzam. The melody recalls a waltz. Una huerfanica amo yo en bien me …
36. La bella en misa (CES)
… PF 185/02 (sung by Estrea Aeliyon from Salonica). The melody covers two lines of the romance in the AB BC CD, etc. pattern. The melody is a classic example of the performance of romances …
35. Toma mi alma y tómala (CES)
… performed by Jako Poliker ( 2012 ) that shares the same melody and stanza 3. Stanza 3 is also included in Amor y …
34. Te vide una mañana (CES)
… Sephardic song El mancebo enamorado ( Pedrosa 1994 ). The melody is in makam Hüzzam. Te vide una mañana cabellos …
32. La agonía del amante Rosa mia (CES)
… by Shlomo Venezia), and they are all from Salonica. The melody appears in a musical transcription by Idelsohn ( 1923 … opening stanza. This transcription is very close to the melody in this recording as well as to the one transcribed … a high degree of probability, this is a Greek or Turkish melody (Idelsohn described it as “Turkish, known in …