(47 results found)
Moshe Attias
The Jewish Music Research Centre announces with sadness the recent passing of Cheikh…
The “Jewish Baroque”: The Allure of a Modern Musical Affair
On March 15, 1899, the distinguished scholar, cantor, composer and avid manuscript…
Yom Yom Odeh: Towards the Biography of a Hebrew Baidaphon Record
Introduction
It is November 15, 2016 and I am sitting in a car, driving on a mountain…
Review essay: Kevin C. Karnes and Emilis Melngailis, Jewish Folk Songs from the Baltics
Kevin C. Karnes and Emilis Melngailis, Jewish Folk Songs from the Baltics:…
Ethiopian Jews in Israel - a Musical Ethnography
I spent the summer of 1989 living in a Nazareth Illit (today Nof HaGalil) neighborhood…
A Moroccan Synagogue Service
This is a short extract of the article “Liturgy: An Overlooked Space in the Moroccan…
Armand Sabah
Armand Sabah was born in 1952 in Marrakesh, Morocco, and immigrated to Israel with his…
Salamone Rossi’s HaShirim Asher LiShlomo in its Fourth Centennial (5383-5783)
Even if you are mildly interested in Jewish music, you cannot avoid Salamone Rossi and…
The Idelsohn Project
Is music intrinsically political? The best-known Jewish song in the world is “Hava…