(130 נמצאו תוצאות)

Day of Atonement, Eve of Atonement
… Cantors … Choirs, Choral … Choirs, Choral music … 1913 … Liturgy … Chazzanut … Cantors - Hazzanim … Magen Avot … … … Choir … Choral … Compositions … Reform temple … Ashkenazi … Edward Stark … Day of Atonement, Eve of Atonement …

Sabbath Evening
… Cantors … Choirs, Choral … Choirs, Choral music … 1911 … Liturgy … Shabbat … Sabbath … Chazzanut … Cantors - Hazzanim … Choral music … Collection … Collections … Choir … Choral … Ashkenazi … Edward Stark … Sabbath Evening …

New Year Evening and Morning
… Cantors … Choirs, Choral … Choirs, Choral music … 1910 … Liturgy … Chazzanut … Cantors - Hazzanim … Magen Avot … … … Choir … Choral … Compositions … Reform temple … Ashkenazi … Edward Stark … New Year Evening and Morning …
Atah Ehad
… Sound Archive. … The classification of traditional Ashkenazi melodies into clearly defined genres is a … a Hassidic niggun and a Yiddish folksong. In addition, some Ashkenazi tunes were reincarnated as Zionist songs, becoming … 'Besefer h ayyim berakha veshalom' from High Holidays’ liturgy was part of the repertory of Shlomo Zalman Rivlin 's …
Tish-nigunim Ascribed to Yosl Tolner and the Aesthetics of the Genre
… “The Hasidic Nigun: Ethos and Melos of a Folk Liturgy.” In these two surveys, focusing on a few notations … among the different regions inhabited by eastern Ashkenazim, which since the seventeenth century had been … the Hebrew zemiroth —chants) , that evolved in the eastern Ashkenazi communities before the emergence of Hasidism and …
Meir Shimon Geshuri
… and focused exclusively on Hassidic and, later, on non-Ashkenazi Jewish musical traditions too. Further adding to … at that time, he found an affinity between Yemenites and Ashkenazi Jews from Poland (i.e. not from Germany!), a … example, his relentless drive to create a unified national liturgy led Geshuri to support various initiatives aimed at …
סיור סליחות מבוזר: תיווכו של הפיוט "אדון הסליחות" מבתי הכנסת הספרדיים אל המוזיקה הפופולרית בישראל
… as Dominant in Our Era." J ournal of Jewish Music and Liturgy 19: 19-30. Bar-Tal, Daniel, and Dikla Antebi. 1992. … Ethnologist 33 (2): 246-268. Zohar, Zvi. 2010. "Non-Ashkenazic Jewry as the Ground of Contemporary Israeli … stereotypes attributed to Sephardic communities by early Ashkenazi Zionists. This promotion of 'Adon Haselihot' …
Léibele Schwartz
… Léibele and Stofblat composed new music for the Jewish liturgy at Templo Libertad. As Léibele did not write music, … Jewish liturgical music, Hasidic songs and songs from the Ashkenazi and Sephardic traditions (see Discography below ). …
Review essay: Kevin C. Karnes and Emilis Melngailis, Jewish Folk Songs from the Baltics
… about Jewish cowboys (Gottlieb 2004, 64). Also Yemenite-Ashkenazi intermarriages in Israel during the 1930s and … which system of accentuation served the interlocutors—the Ashkenazi system, where the accent most often falls on the … Jewish work. [4] On plagal harmonic minor in the Ashkenazi liturgy, see Levine 2001, 19. [5] The volume includes …
Na’aleh L’artzeinu – A Simple Melody with an Intricate Story
… transliterated in Latin letters in an inconsistent mix of Ashkenazic and Sephardic pronunciations. None of the songs … to the prayer sung (or more precisely, melodeclamated) by Ashkenazic women at the end of Shabbat known as “Got fun … and the melody has found new adaptations into synagogue liturgy. [10] Though one might have expected to find …