(110 results found)
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Hatikvah: Conceptions, Receptions and Reflections
If you have ever searched for Hatikvah online, you were surely exposed to a barrage of…
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Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
Introduction
Jewish cantillation—the intoned reading of Torah, Haftarah, and other…
Between Tradition and Modernity
Between Tradition and Modernity: The High Holy Days Melodies of Minhag Ashkenaz…
Niggun ‘Akedah: A Traditional Melody Concerning the Binding of Isaac
Niggun ‘Akedah is an Ashkenazi melody firmly associated with the Binding of Isaac,…
Review essay: Kevin C. Karnes and Emilis Melngailis, Jewish Folk Songs from the Baltics
Kevin C. Karnes and Emilis Melngailis, Jewish Folk Songs from the Baltics:…
Book Review: Charles B. Hersch, Jews and Jazz Improvising Ethnicity
Charles B. Hersch, Jews and Jazz Improvising Ethnicity. New York: Routledge, 2017…
Ethiopian Jews in Israel - a Musical Ethnography
I spent the summer of 1989 living in a Nazareth Illit (today Nof HaGalil) neighborhood…
Salim Shibith (Salim Ha-Cohen)
Salim Shibith (also known as Salim Ha-Cohen) was a qari al-maqam (“maqam reader”) and…
The Idelsohn Project
Is music intrinsically political? The best-known Jewish song in the world is “Hava…