… is always augmented. This steiger includes characteristic motifs in the phrygian scale with a major third, so we get … under the finalis is always augmented: The Characteristic motifs of the Ahava Raba steiger are sung by the cantor or … sentence and its length, while maintaining the order of the motifs. When the musical phrase appears according to the …

… himself on the drum. The melody consists of two motifs, one to each hemistich: the opening hemistich has an ascending, and the closing hemistich a descending motif. This parallels the subject matter of the song: the …

… that is based on structural elements: the combination of motifs that are built from melodic formulas within a scale … Following are a few accepted techniques:   Extending the Motif The musical motifs contain primary and secondary notes. When a textual …

… of different melodies. Each is comprised of a 'mosaic' of motifs, all of which function in a particular way within the … piece is comprised of a few verses. In each verse, the same motifs appear. The opening [6] and closing motifs [7] in a melody are usually the same in every verse. …

… and marriage) and fašadura (baby diapers). The literary motifs of the encounter in the middle of the road ( en medio … marido (CMP I1). Characteristic of the romance is also the motif of getting up in the morning, here on Sunday ( alhad ) …

… aux chansons and Le plongeur noyé . Interestingly, two motifs in the Ladino song that are not to be found in these … the French song the number of sailors is thirty. The other motif is the theme of casting a lot which falls on the … see Armistead and Silverman, 1982 , p. 155). This last motif does not appear in this recording. This version by CES …

… The earlier version, entitled “Cross-Repertoire Motifs in the Liturgical Music of Ashkenazi Tradition,” was … … Jewish … Jewish music … Ashkenaz … Ashkenazi liturgy … motif … Motifs … Structure … Chazzan … Chazzanut … Hazzan … Musical …

… In each stanza the first three verses are sung to one motif, and the fourth verse to another. In the first two …

… The final section examines the use of one specific motif in various liturgical occasions and compares the …

… shared by all the variants. Each phrase is composed of two motifs which subdivide the long poetic verse of thirteen or … mode whose foremost characteristic is a stock of idiomatic motifs whose appearance indicates to the initiated listener … Southern (Italian) one. This cadence is a quotation of the motifs used for the closing masoretic accents of the …