(204 results found)
Contre-danse (LKT)
… the full reference. “The bride had her space, where the women quibbled with the girls, [and] there a konter-tants was danced for [the women’s] approval, one which only the Modnitzers knew. This …
Bobes tants (LKT)
… Lapson 1943, p. 461 . “The bride had her space, where the women quibbled with the girls, [and] there a konter-tants was danced for [the women’s] approval... next: a semele , a tsigayner-tants , … . “When the bride and groom returned from the khupe old women... dance against them with ‘bobe’ [old type of …
Sholem-tants (LKT)
… ) and the shalom dance ( sholem tants )--were intended for women that were in a perpetual state of quarrel... After the …
Shemene (LKT)
… ) and the shalom dance ( sholem tants )--were intended for women that were in a perpetual state of quarrel... After the …
Shemele (LKT)
… [One such example is this song of Eliokum Tzunser:] ‘Women, clap! Take pleasure that both mothers-in-law are … . “ Shemele . A kind of dance.” Harkavi 1928, p. 513 . “Women, clap, you’ve got your pleasure! Both mothers-in-law …
Semele (LKT)
… ‘fun der xejdr zog men nit ojs’ (Zunser 1895:30)... Women, clap! You’ve gotten satisfaction: Both mothers-in-law … 1952b, pp. 90-92] . “The bride had her space, where the women quibbled with the girls, [and] there a konter-tants was danced for [the women’s] approval, one which only the Modnitzers knew, this …
Mitsve-tants (LKT)
… dance in which the men danced with the bridegroom, and the women with the bride ( Sefer Minhagim , Venice, 1590). This … men, had been satisfied, in pairs, and after them also the women separately and even in pairs. After this dance the … the ‘mitsve-tentsl’ -- the bridegrooms grabbed me and the women the bride and they led us out to the small dark room.” …
Kosher-tants (LKT)
… . “ Kosher Tants : Most dances are for either men only or women only. The kosher dance, however, is done between a man … and bride. Since holding hands in public between men and women is forbidden, the partners hold the corners of a … accomapnied by floods of tears and the loud sobbing of the women, especially the bride.” [late nineteenth century]. …
Mekhutenim-tants
… [One such example is this song of Eliokum Tzunser:] ‘Women, clap! Take pleasure that both mothers-in-law are …
Beroyges-tants
… dancing was banned, most often it was performed by two women...” Chochem and Roth 1978, p. 66 . ( Musical notation … [One such example is this song of Eliokum Tzunser:] ‘Women, clap! Take pleasure that both mothers-in-law are … with the groom and the men only with no contact with the women. Also in the essay of Samuel Rappaport, on the …