(153 results found)

Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
… and below each word. However, the chant also has clear musical features, with a variety of scales, motives, … In the present paper, I will provide a new perspective on musical features of Jewish cantillation in the Eastern … may listen for and assess effects of timing, dynamics, and vocal quality in the reading of individuals as they present …
A Gneyve - A Yiddish Song of Theft and Poverty
… begins with the introductory “khapt im, nempt im” line. The music to this opening section is more dense than in the rest … of the song is identical to Kremer’s and that Oy Division vocalist Noam Inbar, along with guest singer Avishay Fish, adopt vocal inflections similar to Kremer’s. Differences between …
Ehad mi Yodea - Its sources, variations, and parodies
… focusing on changes introduced to the text and the music within different historical contexts and local Jewish … for four-hands piano in 1975 and then in 2009 for piano and vocals. In the former, instrumental version, the melody goes … version has become a popular song among Yiddish and klezmer musicians over the past few decades. Performers and adapters …

Sirba
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … of all music is the bulgar. It does not relate to any vocal genre. It goes back to dance music. It is derived from …

Sher
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … see Folklyric Records 9034). Others resembled the vocal dance-tune (nign). We are led to the conclusion that …

Tsushpil
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … sense (Weinreich, 347) it refers to the instrumental or vocal accompaniment of a niggun . Found only among Vizhnitz …

Volekh (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … 1971, p. 83 . (Musical notation included). “A type of vocal niggunim named after Walachia, a region of Rumania. …

Taksim (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … Excerpts...[Naxos island in Greece] This tune featured vocal with interludes of the violin...Section 4 is an …

Bulgar (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … of all music is the bulgar. It does not relate to any vocal genre. It goes back to dance music. It is derived from … different principle of relation rhythm to notes than vocal music. Tarras’ style is well suited to bulgar because …

Khosid/Khosidl (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … are other tunes called khussidls which I think originate in vocal music. Some of this music is purely instrumental and some is ambivalent. It could be used as vocal music.” Phillips 1996b, p. 178 . “ Mitsve-tants ... …