(140 results found)
A Gneyve - A Yiddish Song of Theft and Poverty
… begins with the introductory “khapt im, nempt im” line. The music to this opening section is more dense than in the rest … of the song is identical to Kremer’s and that Oy Division vocalist Noam Inbar, along with guest singer Avishay Fish, adopt vocal inflections similar to Kremer’s. Differences between …
Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
… and below each word. However, the chant also has clear musical features, with a variety of scales, motives, … In the present paper, I will provide a new perspective on musical features of Jewish cantillation in the Eastern … may listen for and assess effects of timing, dynamics, and vocal quality in the reading of individuals as they present …
A centerpiece of the High Holydays liturgy: Shofet Kol Ha'aretz in Moroccan and Yemenite versions
… of the opening stanza, is the refrain (the same words and music are repeated) and x, the last line of the rest of the … Shofet kol ha’aretz.” This is the earliest mention of the music of our poem, and obviously it indicates that in the … preceded by melismas and by breathing pauses. The plurivocal response of the congregation is quintessentially …
Avi Bar-Eitan
… researcher, and lecturer. He received his Ph.D. in musicology at the Hebrew University, and his M.A. and M.Mus … from the Hebrew University and the Jerusalem Academy of Music and Dance. Dr. Bar-Eitan’s doctoral work dealt with … individual identities; the concept of steyger and maqam in vocal and instrumental music of Ashkenaz and Sepharad; …
The medieval Hebrew song Kikhlot yeini and its Purim connections: New sources on its music
… and its documentation are therefore formidable. However, musical renditions of the piyyut are rather rare and will be … that Kikhlot yeini has survived in two apparently unrelated musical strands which we have labeled “Zionist” and “Jewish” … a rather amusing middle section without text, either a vocalese or an instrumental passage. We publish here both …
El Incendio de Saloniki: The Song of the Fire
… with them as they migrated, including literary traditions, musical forms and the Judeo-Spanish language, Ladino. The … singer but rather as an institutionally trained Greek vocal artist that experiments with a wide range of vocal styles. The liner notes to this album reference the …
Vocal Folk-Polyphonies of the Western Orient in Jewish Tradition
… 9480 … Vocal … Vocal music … Polyphony … Folk music … Instruments … Percussion … Definitions … Monophony … …
Plurivocality in the Liturgical Music of the Jews of San‘a (Yemen)
… … 9565 … 23448 … Yemen … Yemenite … Yemenite Jews … Plurivocality … Jewish music … Musical Analysis … Plurivocality in the Liturgical Music of the Jews of San‘a …
Moshe Attias
… The Jewish Music Research Centre announces with sadness the recent … one of the most distinguished and long-standing Moroccan musicians in Israel. This short note prepared by JMRC … embellished opening featuring alternating instrumental and vocal phrases without fixed beat, leading to the song itself …
Yom Yom Odeh: Towards the Biography of a Hebrew Baidaphon Record
… seaboard. With me, I carry a treasure, a piece of lost musical history, or so I believe. Saved on my mobile phone … with Baidaphon (others included, for example, the Egyptian vocalist and composer Zaki Mourad [9] , his brother Nessim … stretching of certain lyrical phrases, particularly the vocalization of the syllable “lo”. What follows is the …