(614 results found)
28. El robo de Dina (CES)
… Jews of Salonica, Serres and Rhodes. The text in this recording is very similar to the opening lines in the …
29. La llamada a la Morena + La nave por partir (CES)
… recorded it earlier (Odeon 54473, ca. 1908). In this recording by CES, the references to the wedding are not …
30. Muero de amor (CES)
… Haim Effendi, 2008 , CD. III, no. 3, in 1907/8 and this CES recording), this şarki is not documented in any other …
31. El lindo mancebo + Los amantes de la casa rica Oh! que lindo mancevo (CES)
… a stanza that is repeated by the CES at the end of this recording. Attias’ recorded versions, sung by him and his … (e.g. NSA, Y 09485, no. 1), have the same melody as this recording and include only the first three stanzas. This … from the one found on many twentieth century commercial recordings, although the contour of the four phrases points …
32. La agonía del amante Rosa mia (CES)
… This transcription is very close to the melody in this recording as well as to the one transcribed in Attias ( … mía, / chichek de mi cabeza” and appearing in commercial recordings have a different melody (e.g. Yasmin Levy 2000 , …
35. Toma mi alma y tómala (CES)
… title of a song recorded in 1908 by Albert Beressi but this recording is not available). The makam on the record label is “Hijaz” (Hicaz in Turkish) but in the recording and in all other musical versions the makam is …
38. Cantiga de Hanum Dudún (CES)
… See the notes to another recording of this song in no. 6 above (by Algava) and below …
42. Malandanzas del asker (Çakum Effendi)
… documented in oral tradition probably emanate from these recordings. See Attias 1972 , no. 112; Levy 1959-1973, vol. …
43. El infant cautivo (Çakum Effendi)
… is therefore left of the romance’s narrative. However, the recording is musically rich, surrounded by instrumental …
45. Los amigos me dan esperanza (Çakum Effendi)
… nos. 56, 81; Levy 1959-1973 , vol. I, no. 44). Besides the recording by Çakum, we know of an almost identical one by … a longer version with several refrains. For further recordings see: NSA Y 09508 (1) and NSA Y 09479 both sung by …