(85 results found)
Judeo-Spanish Songs for the Life Cycle in the Eastern Mediterranean
… The album includes folksongs in Ladino that Sephardic Jews used to sing in events of the life cycle in their … Menéndez Pidal. Ben-Naeh, Yaron | בן-נאה, ירון 2008 Jews in the realm of the Sultans: Ottoman Jewish society in … Judeo-españoles del Ciclo de la Vida en el Mediterráneo Oriental … Ladino, Judeo-Spanish – Ladino, Ladino - …
Freylekhs (LKT)
… deed] of dancing with or for the bride. Among Jews from the Bukovina region where Hasidism was … From what many klezmorim tell us, the skočna among Jews was not a separate dance-type. Usually they called a … speaking, except perhaps a few niggunim borrowed from the Oriental communities of Jerusalem. Coming to Meron, they …
Hora (LKT)
… hora, the primary form of the genre among East European Jews, is common in northeastern Romania and among Bukovina … and dances.” EncyJud 1971, p. 1267 . “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named … ‘Zhok’ [D. Tarras]... ‘Kallarash’ [Statman/Feldman]... ‘Oriental Hora (A)’ [M. Liebowitz]... ‘Oriental Hora (B) …
«A Special Kind of Antisemitism»: On Russian Nationalism and Jewish Music
… roughly 1200 students, were Jewish. This was at a time when Jews formed roughly four percent of the total Russian … rest of the Russian educational world strenuously denied Jews entry, Russia’s greatest musical academy welcomed them … melody to the class. He did not call it “Jewish,” only a “Oriental melody.” But Rimsky-Korsakov noticed its “Jewish” …
Bulgar (LKT)
… the part of Bessarabian Gypsy musicians. A favorite among Jews and non-Jews throughout Romania and beyond, this particular tune is … dances.” EncyJud 1971, p. 1266 . “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named …
Doyne (LKT)
… Although the doina is quintessentially identified with Jews from Romania and the southern Ukraine, by the early … . ( Musical notation included). “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named … of the origin and the meaning of the doina.... The Jews adopted the Moldavian doina, and not only the genre as …
Volekh (LKT)
… EvreEnts1908-1913, 13: 151 . “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named … melody ( beniggun valuchu ) was because in Walachia the Jews suffered the greatest cruelties of the tyrants … in which only the first and third beats are accented. Among Jews, the volekhl is most often played in conjunction with …
Sirba
… Carpathian region among co-territorial peoples including Jews, Ukrainians, Transylvanian Hungarians, and even Polish … a 2/4 rhythm.” Alpert 1996b, p. 59 . “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named …
Terkish (LKT)
… several items of south Balkan origin were played by the Jews as ‘bulgar,’ they were not called “terkishe,’ and the … as the Greek sirto and suggests connections between the Jews of Eastern Europe and the Greek inhabitants of the … and recording references included). “The Terkish / A quasi-Oriental piece in duple meter, slow-moderate in tempo, using …
Ehad mi Yodea - Its sources, variations, and parodies
… it is originally a Jewish or a non-Jewish song adapted by Jews; 2) If it is of Jewish origin, did it originated in … 201-226. (In Hebrew) Habermann, A.M. “Concerning ‘The Oriental Version of E h ad Mi Yode’a.’” Tarbiz 42 (1973), … Jewish Publication Society, 1963. Sharvit, Shimon. “The Oriental Version of ‘E h ad Mi Yodea’.” Tarbiz 41 (1972a), …