… residents at the time. In his unpublished memoir, which is structured as a musicologist’s Bildungsroman ('From the … childhood in the all-Christian Dańdówka in terms of extreme musical isolation and alienation. Hendel-Malka, Geshuri’s … Hassidic music later in his life. At the same time, his musical education in Berlin and Dresden opened before him …

Mixing liturgical with folk tunes in one album is a modernistic approach that challenged…

… seaboard. With me, I carry a treasure, a piece of lost musical history, or so I believe. Saved on my mobile phone … world during the nineteenth and early twentieth century. In musical terms, the Nahda is associated with the emergence of … [3] Moreover, synagogue cantors, ḥazzanim, often tended to structure new compositions of (para)liturgical hymns (known …

… www.pizmonim.org. The recording by CES is, on the surface, musically different from the melody notated by Levy and … orally in the piyyut tradition. However, a closer musical analysis reveals that there are some structural and …

… original elements. He tries to maintain some of the structure of a children’s song. The text consists of 5 … each line exactly 4 bars long. This creates a very clear structure of 80 bars. The clear structure, monotonic rhythm, and generally narrow range of …

… different melody, but maintains a similar lyrical structure and theme (example 2). Here, however, there is a … points out the connection between the song's theme and the musicality of the melody. In his view, the altered Dorian … of this song, from 1927, is by Isa Kremer (1887-1956) (musical example 1). A renowned singer, Kremer was born in …

… Jews immigrants in Israel. [4] Abyadi Ana is part of the musical repertoire sung by Moroccan Jewish women to … mal h un genre, is widely acknowledged in Morocco, but her musical repertoire included many other genres such as the … a few years before El Fassia.  In her recorded version the structure of Abyadi Ana is AABBCBBC; A and B represent the …

… cantorial singing, and Jewish melodies (including direct musical quotes from traditional Jewish melodies such as Chad … That turned out to be more productive.' The apologies are structured in clear reference to the confession section of … vaudeville included copious direct or indirect quotations (musical or textual or both) of prayers. Such references …

… development against the background of the various Ashkenazi musical cultures. The Ashkenazi tradition of this pizmon … of the Elbe and Moldau river) (see image no.3). A melodic structure of four phrases, corresponding to the four lines … this style. The melody itself is not based on a universal musical language like pentatonics, but uses a strongly …