(92 results found)
Gesture, Dance and Melody in Traditional Ashkenazi Culture
… expressive dance movement can be correlated to a number of musical parameters involving melodic density, rhythmic structure, musical development and tempo. … 15 … Jerusalem … … 2009 … …
Fal
… is Niggun Arba Bavot ( niggun of four sections), and is structured with the form of A-B-C-D-C ( sound example no.1 … that from the first generations of the Hasidic movement, musically skilled Hasidim were aware to the fact that a … [pp. 156-163]. … 9565 … Hassidic … Hassidim … Structure … Musical structure … Klezmer … Tunes … Ashkenazi … Fal … יעקב …
Dance tune (Niggun rikud)
… in various communities). Hassidic dance tunes have defined musical characteristics such as duple meter and fast tempi … and ABCDC. [2] Klezmer dance tunes have a more compound structure with more sections [3] including the Rondo structure ( sound examples 1-4 ). [4] Hassidic dance tunes …
Kolomeyke (LKT)
… or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … entire section is made up of multiples of this unit... This structure is typical of several musical categories of the gentile folk environment in which …
Baqqashah (Pl. Baqqashot)
… in that the piyyutim are arranged according to the maqamat (musical modes) in use in the court music of the Ottoman … required his piyyutim to be sung are borrowed from the musical culture of the Sephardi Jews of Spain (tunes of … in the Moroccan tradition. [4] In it one can find a structured Baqqashot service. While the majority of the …
Shofet Kol Ha'aretz
… development against the background of the various Ashkenazi musical cultures. The Ashkenazi tradition of this pizmon … of the Elbe and Moldau river) (see image no.3). A melodic structure of four phrases, corresponding to the four lines … this style. The melody itself is not based on a universal musical language like pentatonics, but uses a strongly …
Shofet Kol Ha'aretz
… development against the background of the various Ashkenazi musical cultures. The Ashkenazi tradition of this pizmon … of the Elbe and Moldau river) (see image no.3 ). A melodic structure of four phrases, corresponding to the four lines … this style. The melody itself is not based on a “universal musical language” (Avenary’s term) like pentatonics, but …
Cantar de las Flores
… and in the refrain: 'El Hai Sur Olamim.'. The text is structured in eight verses’ stanzas with a repeated two … the ten verses of the textual stanza into three identical musical strophes, each strophe consisting of four musical phrases. . No. of verse: 1-2-3-4-5-6-7-8-9-10-9-10 …
Bin Tavinu Liqnot Bina Ha'azinu
… of these songs appear at the title of the piyyut. These musical codes, which probably had a clear meaning at the … line of the foreign songs appeared in Hebrew letters. The musical meaning of Najara's musical instructions was blurred … only the wine barrel appeases her. The song has an additive structure, where each stanza is longer than the previous by …
Hora
… r Moshe (Musa) Berlin (b. 1937), who took his tunes from musical scores and records published in the U.S., used the term Rumanian Hora (see musical example below) for a pair of slow Hora and Freylekhs … Bashir Ubazemer , p. 52; and the full niggun in a-b-c-b structure see in Yaakov Mazor, 'Min Haniggun Ha h assidi El …