(234 results found)
Sweet Hymns Shall Be My Chant
… the Holy Ark while singing this poem. … Kulmus Hanefesh: A Musical Journey into the Hassidic Niggun … Hasidic … Hasidic … … Hassidic music … Israeli art music … Israeli composers … Modern Jewish music … Niggun … Israel … Sweet Hymns Shall Be My …
Dance Niggun
… contrasting styles which commonly come together in Klezmer music originating in the Balkans. … Kulmus Hanefesh: A … … Hassidic music … Israeli art music … Israeli composers … Modern Jewish music … Niggun … Israel … Dance Niggun …
77. Tu sos una rosa (Bosanski Instrumentalni i Pjevački Terzett)
… in all versions and therefore we included it here too. The musical style of the song with its waltz meter hints to its origins in the modern Western European popular repertoire. Tu sos una rosa … - Judizmo … Ottoman Empire … Sarajevo … Sephardi music … Eastern Sephardi … 77. Tu sos una rosa (Bosanski …
73. Melisenda insomne (La Gloria)
… Moreover, it became one of the most recorded songs in the modern discography. The last stanza of this recording is very rare. According to Petrovic (1990), the music is similar to the Bosnian sevdalinka genre. Nochis, …
72. Los brazos candelares (La Gloria)
… only from Sarajevo sources and probably derived from the modern popular repertoire. Although the title on the …
70. El barón despreciado ( La Gloria)
… One of the most well-known modern Ladino songs in Western European style. It was also … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Sarajevo … Eastern Sephardi … 70. El barón …
69. Asiéntate te hablaré (La Gloria)
… A rare modern song with a refrain in Greek. The third stanza is … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Sarajevo … Eastern Sephardi … 69. Asiéntate te …
31. El lindo mancebo + Los amantes de la casa rica Oh! que lindo mancevo (CES)
… , no. 84). In contrast, stanzas 4-6 are widespread in the modern recorded repertoire and are usually sung together … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Salonica … Saloniki … Thessaloniki … Eastern …
30. Muero de amor (CES)
… style and topic (ardent, overt love) underscores its rather modern origins. Muero, muero d’amor. Por que sufro dolor, … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Salonica … Saloniki … Thessaloniki … Eastern …
19. El guitarrista + La firmeza de las estrellas + El enamorado engañado (CES)
… This selection of three modern Spanish couplets (see Pedrosa 2008 ) is one of the most outstanding examples of the exposure of Sephardic musicians to the late-nineteenth century flamenco … recordings of these couplets, most of them relying on the musical transcriptions of Isaac Levy ( 1959-1973, vol. I, …