(152 results found)
Taqsim and Qitah in Maqam Saba
… Albert Elias, nay … Taqsim: Instrumental Improvisation in Near Eastern Traditions … Taqsim (pl. Taqasim) … 20th (Twentieth) Century … Arab Music … Middle East … Nay … Taqsim and Qitah in Maqam Saba …
Taqsim in Maqam Rast Nawa
… Taisir Elias, violin … Taqsim: Instrumental Improvisation in Near Eastern Traditions … Taqsim (pl. Taqasim) … 20th (Twentieth) Century … Arab Music … Middle East … Violin … Taqsim in Maqam Rast Nawa …
Samai and Taqsim in Maqam Farah Faza
… oud Taisir Elias, violin Ramzi Bisharat, darbouka … Taqsim: Instrumental Improvisation in Near Eastern Traditions … Taqsim (pl. Taqasim) … 20th (Twentieth) Century … Arab Music … Darabukkah … Middle East … Oud … Violin … Samai and …
5. Madame Gaspar (Jacob Algava)
… fourth stanza sung again at the end followed by a longer instrumental finale. Few surviving oral versions of this … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Salonica … Saloniki … Thessaloniki … Eastern …
14. El nacimiento y la vocación de Abraham (CES)
… In this recording, the singers repeat stanzas 1-3 and the musicians add an instrumental postlude to complete the side of the record. … - Ladino … Ladino Songs … Ottoman Empire … Sephardi music … Salonica … Saloniki … Thessaloniki … Eastern …
27. El alma dolorida (CES)
… lines and stanza 6, four octasyllabic lines). The rhythmic instrumental refrain is repeated during the piece as … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Salonica … Saloniki … Thessaloniki … Eastern …
43. El infant cautivo (Çakum Effendi)
… left of the romance’s narrative. However, the recording is musically rich, surrounded by instrumental interludes played by oud and clarinet. The … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Salonica … Saloniki … Thessaloniki … Eastern …
57. Me queres matar mancebo (Mlle Rosa)
… songs. The recording opens with an uncommonly extended instrumental version of the entire song and ends rather … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Salonica … Saloniki … Thessaloniki … Eastern …
65. El baile de los falsos (Sida Musafija)
… originates in an 1895 zarzuela (lyrics by P. Cadenas; music by Pedro Badía) and is not strictly related to the … in its name. La Mattchiche usually appears in early sheet music editions as “Spanish march.” The zarzuela itself draws … pas l’mouvement.” This recording ends with an unrelated instrumental piece whose apparent function is just to …
70. El barón despreciado ( La Gloria)
… made it famous ( 2008 , CD III, no. 15) and by Bosanski Instrumentalni i Pjevački Terzett (see below no. 75 ). This … - Ladino … Ladino Songs … Ottoman Empire … Sephardic music … Sarajevo … Eastern Sephardi … 70. El barón …