… U. of Indiana. The relationship of music to sociocultural change is not arbitrary. Certain kinds of formal, … Change in music is seen as a direct result of specific cultural orientations and sociohistorical processes. In … … … 1991 … Eastern Sephardi … Pamela J. Dorn … Change and Ideology: the Ethnomusicology of Turkish Jewry …

… labor Bund). This song clearly reflects the dominating ideology of the Bund, a strong belief in the power of the … and equality wherever they live, and wherever they have a cultural history rather than immigrate to Palestine. This … The entire album can be accessed   here .       … 23104 … Cultural resistance … Resistance … Politics … Yiddish songs …

… the German opera repertoire to reflect Nazi political and cultural ideology. Includes an appendix listing the first … Cult … Third Reich … Nazi Nazis … Politics … German opera … Cultural ideology … Performance … Erik Levi … John London … …

… Davis, Cambridge University Ethnomusicology and Zionist Ideology in Pre-State Israel In 1905, the Latvian cantor … spiritual renaissance of the Jewish people in Eretz Israel. Cultural Zionist ideology likewise inspired the American Reform Rabbi Judah …

… phenomenon, elevating it from a sociological pattern to a cultural myth. For the various contemporary explanations for … blossomed in Russia because Jews received a safe space or cultural haven at the St. Petersburg Conservatory and the … antisemitism and anti-Zionism, and the weight of political ideology in Soviet music combined to silence the collective …

… into Jewish folk music to service changing Jewish ideology. In his view, “borrowed elements” were not foreign …

… of effeminacy (Lombardo 1983; Kurke 1992). The dominant ideology of the Athenian polis evolved from aristocratic to …

… Zionism, for sure a non-programmed one by any institutional ideology. A similar encounter can be heard in Dahyiani's … songs were embraced and admired by some members of the cultural elite as a desirable component of the new Zionist …

… 2004. See especially chapter 2, a critique of the ideology of the founders of Israeli music, 67–160; see also …