(590 results found)
Nahôn libbo is hujire – Whole-heartedly is the fearful believer
… through various religious and philosophical themed folksongs. [1] Nahôn libbo reflects a fundamental aspect of … contour, rhythm and fermatas as in Idelsohn’s source, apart from small additions: sixteen note rest (bar 1), tied … just punctuate it. The rather static, choral-like piano part indeed leaves the space open to the ornamented Iraqi …
“Die alte Kasche” (Volkslied) – The Old Question (Folksong)
… Die alte Kasche stands out in the Yiddish folksong corpus for its simplest and yet philosophical lyrics. … [1] Perhaps for this reason, Die alte Kasche appears in artistic arrangements by many composers. Among them are Arno … harmonization and reinforced the melodic line in the piano part, Stutschewsky moves away from the predictable from the …
Lied ohne Worte (chassidisch)
… concept are pertinent here. While among other nations the song usually appears with words – exceptions are rare – among the Jews we find numerous “songs without words” as a typical genre. Out of the singing … However, Stutschewsky’s harmonization in the piano part is extremely different from Nadel’s banal one. The tonic …
A Nigun on a soff (chassidisch) – A Tune without Ending
… tense – klagend (lamenting) as indicated in the melody’s part. Transposing Schitomirsky’s F minor melody a fourth … harsh reality to devekut . While the constant descending quarter note movement in the piano’s accompaniment creates a … Jewish Folk Tunes … Ashkenazim … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … A Nigun on a …
Bulbe (Volkslied) – “Potato” (Folksong)
… section of the entire album consisting of four dance-tempo songs that correlate to the more advanced playing level. This song may be classified as a humoristic-satiric … retained this conventional harmony, and assigned the piano part a typical klezmer um-pah accompaniment pattern. …
Zoock (Volkstanz) – Zhok (Folk dance)
… first and third beat. [1] The fast metronome indication – quarter = 168-184 – and the drone style accompaniment evoke … pulse on the entire bar. [2] Each section of this three-part Zoock has a distinctive modal character. While the tonal … Jewish Folk Tunes … Ashkenazim … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Zoock …
Hebräischer Tanz (Original aufgenommen von S. Kisselgoff) – Hebrew Dance (Originally transcribed by S. Kisselgoff)
… pattern we found in the accompaniment of the Zoock’s first part. Half of the rhythmic pattern in the bar is marked forte … climax on bar 8 is rhythmical, offering a dissonant counterpart to the melody. The filling line from bar 3 sustains a … Jewish Folk Tunes … Ashkenazim … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Hebräischer …
Kol Nidrei (Gebet am Jom Kipur) – Kol Nidrei (Yom Kippur Prayer)
… includes twelve para-liturgical Shabbat Zemirot and holiday songs bound in a section titled Skrabove Folkslieder [Sacred … polemic regarding the proper foundations of modern Jewish art music – the Eastern-European domestic folklore versus … alone, from within myself and consciously, I was whole-heartedly and totally – Jewish! [1] As we have seen, Engel had …
Niggun Meron
… Two Meron niggunim "Ya zen" - whose first part is based on a popular Turkish-Arab love song and "Alstein Niggun" which belongs to the repertory of …
Yǝtbārek… wanevāvo
… to be acclaimed by those who pray with their prayers and songs. The people of Israel are bound to Jerusalem through … brief and unmeasured, is antiphonal. It leads to a dance song in the hemiola pattern, marked by the stamping of the … it sometimes happens that two or more of them start singing the solo simultaneously. The periodicity of the …