(1176 results found)
Lied ohne Worte (chassidisch)
… Jews thrived and turned the Song without Words into pure music (is that a coincidence that a converted, assimilated … However, Stutschewsky’s harmonization in the piano part is extremely different from Nadel’s banal one. The tonic … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Lied ohne Worte (chassidisch) …
A Nigun on a soff (chassidisch) – A Tune without Ending
… Stutchewsky seems to hint at two sides of the same musical coin in Hasidic thought. Cyclical return and the … tense – klagend (lamenting) as indicated in the melody’s part. Transposing Schitomirsky’s F minor melody a fourth … harsh reality to devekut . While the constant descending quarter note movement in the piano’s accompaniment creates a …
Bulbe (Volkslied) – “Potato” (Folksong)
… retained this conventional harmony, and assigned the piano part a typical klezmer um-pah accompaniment pattern. … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Bulbe (Volkslied) – “Potato” (Folksong) …
Zoock (Volkstanz) – Zhok (Folk dance)
… to dance. Its origin is in the Moldavian and Rumanian music. The Zoock has well entered the klezmer repertoire, … first and third beat. [1] The fast metronome indication – quarter = 168-184 – and the drone style accompaniment evoke … pulse on the entire bar. [2] Each section of this three-part Zoock has a distinctive modal character. While the tonal …
Hebräischer Tanz (Original aufgenommen von S. Kisselgoff) – Hebrew Dance (Originally transcribed by S. Kisselgoff)
… pattern we found in the accompaniment of the Zoock’s first part. Half of the rhythmic pattern in the bar is marked forte … climax on bar 8 is rhythmical, offering a dissonant counterpart to the melody. The filling line from bar 3 sustains a … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Hebräischer Tanz (Original aufgenommen von S. …
Kol Nidrei (Gebet am Jom Kipur) – Kol Nidrei (Yom Kippur Prayer)
… approach that challenged established categories in Jewish music research. This concept was already introduced in the … polemic regarding the proper foundations of modern Jewish art music – the Eastern-European domestic folklore versus … alone, from within myself and consciously, I was whole-heartedly and totally – Jewish! [1] As we have seen, Engel had …
Uri Sharvit
… in 1939. He received his diploma from the Rubin Academy of Music in Jerusalem in 1965, his bachelor's degree from the Hebrew University in 1968, his Master of Arts from Columbia University in 1971, and his Ph.D. from … Columbia in 1977. Since 1973 he has been a professor of music at Bar-Ilan University and professor of …
Mi-pi el
… the Aleppo Mahzor (1527) … Aleppo … Contemporary Israeli Music … Israeli art music … Israeli composers … Israeli musicians … Syria … …
Anu Be-hamon Shir
… from the Aleppo Mahzor (1527) … Contemporary Israeli Music … Ethnic music … Israeli art music … Israeli composers … Israeli musicians … Syria … …
"Shir la-ma'alot essa 'einai"
… Hasidim sang it at wedding events. The niggun has a tripartite structure: waltz - slow part - march. Each part consists of sections or phrases … as Sung by the Hasidim … Dance … Hasidic dynasties … Ethnomusicology … Field recording … Niggun … Niggunim … Prayer … …