… around the world offer unique vistas on past musical cultures. These findings show the extent to which … song included in the new publication of the JMRC, Eastern Mediterranean Judeo-Spanish Songs from the EMI Archive Trust …

… hombro vas a ver[?] a la quirá. … 10 … 7 … 40891 … Eastern Mediterranean Judeo-Spanish Songs from the EMI Archive Trust …

… older nigunim traditions in their corpus: tunes of local Mediterranean origin, klezmer tunes, and melodies of Yiddish … and Russian elites, as well as from Ukrainian peasant culture. A close examination of these reference points … role in its shaping. As for the place of women in Hasidic culture, thus far, it has been discussed primarily based on …

… . El debate de las flores was still sung in the Eastern Mediterranean until the early-twentieth century as is shown … of El debate de las flores as it was sung in an Eastern Mediterranean Sephardic community are the recordings by Rosa … Institute of Jewish Music and the Ministry of Education and Culture. Weich-Shahak, Susana. 2012. “Debates coplísticos …

… Dalia. During his military service, he served in the culture department of the Nahal Division as a coordinator of … Odem Shani , and Megadim . Some of his songs are called 'Mediterranean Songs.' their specialty is the 7/8 rhythm. One … One of Hayman's most famous songs that is also set to a Mediterranean rhythm (only more complex) is called Eretz …

… Piano and Orchestra by Paul Ben-Haim.   Pnina Salzman Plays Mediterranean Piano Music . Music in Israel, Helicon, …

… finally expelled from Spain in 1492 and spread around the Mediterranean. Sephardic communities in northern Morocco and … borrowed from or influenced by the music of the surrounding cultures where the Sephardic Jews lived. For example, … in two repertoires of Sephardic romances: in the Eastern-Mediterranean Sephardic communities such as in Greece and …

… winds down along the Lebanese coastline, overlooking the Mediterranean seaboard. With me, I carry a treasure, a piece … land [stomp], forced us out of our homes [stomp], but our culture is something they cannot steal. When we stamp our … this “double loss” that leads Edwin Seroussi to speak of a “culture of exiled individuals” when describing how …