(271 נמצאו תוצאות)
4. Hāle luya hāle ‘ǝleka
… is again antiphonal. The piece is unmeasured and the choir produces a heterophonic texture. In the second …
1. ‘Anta Mehari Meharena
… hemiola pattern, is distributed between the soloist and the choir as follows: A-A-A’/A A-A’. A unique dynamic …
7. Wayi`ārgu Devre
… unmeasured antiphonal piece in which several voices in the choir are superimposed (mostly in thirds and fifths), …
6. Waṣoru Tāvotomu
… is measured. The soloist systematically overlaps with the choir at the end of the choir’s part, with overlaps sometimes extending over three …
2. Yǝtbārek… Wanevāvo
… due to the overlapping of certain solos with the end of the choir section. … 42 … 60 … 7 … 46438 … 3 CDs + 1 Booklet … …
15. Bǝ’ǝnti’ahomu Feṭǝrā
… the soloist’s formulation (A=a-b) is repeated by the choir (A=a-b). The second section is in the hemiola pattern; …
14. Wanevāvo
… the soloist’s formulation (A=a-b) is repeated by the choir (A=a-b). The second section is in the hemiola pattern; …
10. We’etu Άmlākiye Ǝsebḥəwo
… both in the hemistich of the soloist and in that of the choir. The rhythmic flow of this prayer, apparently free, is … the first, third and fourth were marked by a stroke. The choir part includes the frequent superposition of different …
Sephardi Melodies, Music of the Spanish and Portuguese Jews
… Melodies … 21 … 7 … 46154 … London, United Kingdom … Choir of the Bevis Marks Synagogue, London (1950). Directed …
8. Hāle Hāle Yǝbārkǝwo
… consisting of one melodic formula repeated by soloist and choir. … 42 … 60 … 7 … 46142 … 3 CDs + 1 Booklet … …
5. Waye’ǝzeni Tansǝ’u
… formula sung simultaneously by the soloist and the choir. In between these two sections, the melodic material …
4. ‘Afqǝrnākǝ
… organization, the alternation between the soloist and the choir follows a ternary one. Another characteristic of this piece is its plurivocality: at certain points the choir sporadically sings in simultaneous intervals of a …