… with them as they migrated, including literary traditions, musical forms and the Judeo-Spanish language, Ladino. The … singer but rather as an institutionally trained Greek vocal artist that experiments with a wide range of vocal styles. The liner notes to this album reference the …

… researcher, and lecturer. He received his Ph.D. in musicology at the Hebrew University, and his M.A. and M.Mus … from the Hebrew University and the Jerusalem Academy of Music and Dance. Dr. Bar-Eitan’s doctoral work dealt with … individual identities; the concept of steyger and maqam in vocal and instrumental music of Ashkenaz and Sepharad; …

… and below each word. However, the chant also has clear musical features, with a variety of scales, motives, … In the present paper, I will provide a new perspective on musical features of Jewish cantillation in the Eastern … may listen for and assess effects of timing, dynamics, and vocal quality in the reading of individuals as they present …

… begins with the introductory “khapt im, nempt im” line. The music to this opening section is more dense than in the rest … of the song is identical to Kremer’s and that Oy Division vocalist Noam Inbar, along with guest singer Avishay Fish, adopt vocal inflections similar to Kremer’s. Differences between …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … of all music is the bulgar. It does not relate to any vocal genre. It goes back to dance music. It is derived from …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … see Folklyric Records 9034). Others resembled the vocal dance-tune (nign). We are led to the conclusion that …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … sense (Weinreich, 347) it refers to the instrumental or vocal accompaniment of a niggun . Found only among Vizhnitz …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … 1971, p. 83 . (Musical notation included).  “A type of vocal niggunim named after Walachia, a region of Rumania. …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … Excerpts...[Naxos island in Greece] This tune featured vocal with interludes of the violin...Section 4 is an …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … of all music is the bulgar. It does not relate to any vocal genre. It goes back to dance music. It is derived from … different principle of relation rhythm to notes than vocal music. Tarras’ style is well suited to bulgar because …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … are other tunes called khussidls which I think originate in vocal music. Some of this music is purely instrumental and some is ambivalent. It could be used as vocal music.”  Phillips 1996b, p. 178 .  “ Mitsve-tants ... …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … p. 596 . See Hopke . For an extensive analysis of this vocal dance genre, see also Mazor 1974, pp. 136-265 .   For …