(87 results found)
A.Z. Idelsohn: A Pioneer in Jewish Ethnomusicology
… of the twentieth century, the study and research of Jewish music was motivated by the belief that the music of biblical times survived in the living traditions of … of the Jewish people after the destruction of the Second Temple, Jewish music underwent a process of diversification …
Songs of Grief and Hope: Ancient Western-Sephardi Melodies of Qinot for the Ninth of Av
… calendar that commemorates the destruction of the Temple in Jerusalem) constitutes one of the most ancient musical repositories in the Sephardi liturgy. Of particular … Ninth of Av: the mourning over the destruction of the Temple, and the recount of the tribulations of Israel in the …
The Biblical NEBEL
… were much later than the Biblical or even the Second Temple period (Hieronymus at the beginning of the fifth … and the state of research permit. … 9434 … Biblical … Music … Harp … Ancient Israel … Ancient music … Ancient Instruments … Ancient … Bible … The Biblical …
La musique juive dans l’Espagne médiévale
… de rAncien Testament et surtout après la destruction du Temple de Jérusalem par Titus en l’an 70 de l'ère chrétienne … 1492, doit être considerée comme une benediction pour 1'art musical péninsulaire. L'histoire et l'épigraphie nous … pays balkaniques et en Espagne. … Songs … 23131 … Jewish music … Medieval … Spain … Medieval Spain … Song … Sephardic …
Bernardo Feuer
… and secondary school in his hometown and was drawn to music from an early age. Feuer learned the basics of music from his father, and later joined several liturgical … he directed the liturgical choir of the Great Israelite Temple on Paso Street, during which time Aaron Gutman was …
Four Melodies for Four Questions
… the 'Traditional' Israeli Melody for Mah Nishtanah Jewish music research rarely considers the Jewish home as a … even though major ceremonies of Judaism which include music take place within the circle of the immediate or … the exception of the third question that still recalls the Temple sacrifices. We learned: They poured for him the …
A centerpiece of the High Holydays liturgy: Shofet Kol Ha'aretz in Moroccan and Yemenite versions
… of the opening stanza, is the refrain (the same words and music are repeated) and x, the last line of the rest of the … last word is a reference to the perpetual sacrifice in the Temple in Jerusalem. The refrain (from Numbers 28:23), recalls the close association between Temple sacrifices and synagogue prayers. Since the loss …
Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
… and below each word. However, the chant also has clear musical features, with a variety of scales, motives, … In the present paper, I will provide a new perspective on musical features of Jewish cantillation in the Eastern … of sections, in all six modes. Cantor Elizabeth Sacks of Temple Emanuel, Denver, recorded the notated examples in …
Hatikvah: Conceptions, Receptions and Reflections
… legislative design. Because of the “folk” origins of its music and the re-writing of Naftali Herz Imber’s poem … Relations , ed. Zvia Ginor. Hoboken, NJ: Ktav and Temple Israel of Great Neck, NY, 1999, pp. 167-185. See also … Relations , ed. Zvia Ginor. Hoboken, NJ: Ktav and Temple Israel of Great Neck, NY, 1999, pp. 167-185. …
Skotshne/Skochne
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … general for the the remembrance of the destruction of the Temple -- ed.' Fridhaber 1960, p. 31 . “... Dvorak in his …