(45 results found)
Sonic Ruins: Accessory Images for Book
… letter (e.g. 2.2a meaning an additional image to the second image of chapter 2). … Image 2.1: Una matica de ruda …
Karev Yom
… Bikel lived in Israel, more precisely at 62 Rothschild Avenue in Tel Aviv, from 1938 when he arrived from Vienna … the record as Bikel’s solo album his voice is doubled by a second one on several items. This is the voice of Raphael (Ray) Boguslav (1929-2010), who is listed as “second guitar”. A graphic designer, Boguslav was active in …
Haim Effendi
… them, i.e. rendered them in his particular style. Secondly, he commanded repertoires of secular songs in at …
Sarah Gorby
Sarah Gorby, born in 1900 in Kishinev, Bessarabia (now Chișinău, Moldova), was a…

Society for Jewish Folk Music
… often they are in the “gypsy minor” with two augmented seconds (the raised fourth and the raised seventh). They are … the dominant rather than the tonic. They often have a minor second leading to the tonic as a cadence; for example in the … triads with an added major sixth (emphasizing the augmented second). Alexander Schitomirsky, Ach ich wolt gehat Israel …
Yosef Hadar
Yosef Hadar was born in Tel Aviv in 1926 to a musical family. His mother Yafa and his…
Book Review: Joel E. Rubin, New York Klezmer in the Early Twentieth Century
… the book mainly traverses a list-like roadmap of the secondary literature, presenting a couple of paragraphs each …
In The Land Of The Pyramids: A Secular Take On Passover
… in Leningrad. This rare, fragmented recording of forty-four seconds, is not only a live testimony of the persistence of … in the contemporary American Jewish repertoire. A second, unidentified female voice joins Belarsky in the …
Tish-nigunim Ascribed to Yosl Tolner and the Aesthetics of the Genre
… extramusical as the primary and the aesthetic as the secondary—have received unequal attention. While the central … were instrumentally performed at Israeli Hasidic weddings. Second, they intentionally do not relate to the historical … the cultural and social significance of a Hasidic composer. Second, we look at the tish-nign’s stylistic features …