(1614 results found)
“Unter dem kinds Wiegele” – Beneath the Baby’s Cradle
… praising and bagging, the mother calls destiny and demands from it a better future for her son. ----- The dark and … idiomatic bowing called louré [1] articulation (in bar 3). From a pedagogic viewpoint, this allows amateur string … foreign tones as well as by rhythmic groupings independent from the melody’s phrasing. Nevertheless, the ending on an A …
“Der Rebe geht schon tanzen” (chassidisch) – The Rabbi is about to Dance (Hasidic)
… sixteen notes in bars 9, 19, 20 stands out. Here, too, from a pedagogic point of view the melodic instrument moves …
El Jiwneh Hagalil (Lied der galilaischen Arbeiter) – God will Build the Galilee (Galilee Worker’s Song)
… in a line of symphonic, chamber and choral works by many prominent composers such as Michail Gnessin , Joseph Achron , … version of the tune is in freygish mode, where the prominent color of the augmented second colors the melody in …
“Schlof majn Kind, ich wel dich wigen” (Wiegenlied) – Sleep my child, I will cradle you (Lullaby)
… Unter dem Kinds Wiegele , was Alexander Schitomirsky’s post-romantic lied arrangement of this Yiddish song for voice, … quarter-note chord in the right hand. Chords remote from the main tonality – i.e. B# diminished seven in bar 3, G … of his work. This subsection depicts a day’s cycle from the Jewish experience. It opens with an intimate …
Nahôn libbo is hujire – Whole-heartedly is the fearful believer
… kibbutz galuyot, i.e. the ingathering of the exiled in the Promised Land. The inclusion of this Iraqi Jewish tune adapted from Idelsohn’s Thesaurus of Hebrew Oriental Music (1923b: … rhythm and fermatas as in Idelsohn’s source, apart from small additions: sixteen note rest (bar 1), tied notes …
“Die alte Kasche” (Volkslied) – The Old Question (Folksong)
… Furthermore, the descending melodic line of the folksong, from the words fregt di velt into an alte kasche , … melodic line in the piano part, Stutschewsky moves away from the predictable from the very first chord. He challenges the listener with …
Lied ohne Worte (chassidisch)
… with variations. Nadel’s compositional style is post-Romantic, supportive in harmony, rhythm and even in … with very minor deviations, such as the ornamental chromatic descending movement of the left hand in the second … harmonization in the piano part is extremely different from Nadel’s banal one. The tonic A chord is avoided …
A Nigun on a soff (chassidisch) – A Tune without Ending
… tonality, atmosphere, accompaniment approach, as well as a prominent melodic alteration in Stutschewsky’s version. [1] … in eighth notes, in bars 8 and 15, stand out. Most prominent is the abrupt silence in the melody in bar 10, at …
Bulbe (Volkslied) – “Potato” (Folksong)
… a positive, kinderwelt style spirit. Stutchewsky refrained from the modernistic language that dominates the album in … of a more conventional soundscape. Outstanding is the chromatic two hands descending sixteen notes swirl, …
Chassidisches Lied – Hasidic Song
… segments are inter-related by repetition on bars from the theme or group of themes. The alterations in the … do not stand for external impression, as they grow from a necessity to relive and diversify the main melody. … including, in most cases, a sound logical order; from the numerous tones, motives, phrases, rhythms eventually …