In
Theatre and War 1933-1945: Performance in Extremis
Theatre and War 1933-1945: Performance in Extremis
2001
137-163
Retrieved from: The United States Holocaust Memorial Museum: Research: Bibliographies Discusses the performance of cabaret-style musical revues in the Westerbork transit camp and the Theresienstadt ghetto, with an emphasis on the ways these performances served as a form of resistance.


