(88 results found)
Ahot qetannah
… Spanish-Portuguese repertoire for the High Holidays. The performance of all the stanzas in this recording allows for an assessment of the performance practice and degree of improvisation allowed to the …
A Recovered Voice from the Past
… martyrs and saints approach still governs much of the practice of Jewish Studies and its approach to understanding … Lämel School, the upper classes arranged a students’ gala performance to which all of the pupils of the school and … parents were invited. Father and I also went. The staged performance [Heb. h izayion ] included a dance of Bat Yifta …
The Spanish-Portuguese Jewish Liturgy
… factor reinforcing stylistic consistency in the content and performance practice of the liturgical repertoire. The …
A Selection of Judeo-Spanish Songs
… Beniso was also a trained singer. Among his extra-synagogue performances, he recorded commercial arrangements of few songs in Judeo-Spanish (Ladino) following the practices of several of his predecessors and contemporaries, …
‘Le-El ‘Olam’ by Mordecai Dato: In search of a melody for an ancient Italian Hebrew poem
… day. [ 3 ] The normative order of Qabbalat Shabbat as practiced today, however, was not the only option available … in 1755. [ 12 ] Two centuries later, however, the performance of this poem all but disappeared from the … … [7] On these variants and on the diverse kabbalistic practices related to Qabbalat Shabbat and Mordecai Dato’s …
A cantor’s pledge in the High Holyday’s Provençal liturgy (Minhag Carpentras)
… of seven verses as those from Algeria. … To conclude, the practice of using strings of Psalm verses (instead of whole … in the Jewish liturgy is common. What is unique to the practice documented in Minhag Carpentras is the use of Psalm verses as a pledge by the cantor (and, as the performance from Ghardaïa shows, the congregation) to have …
Tish-nigunim Ascribed to Yosl Tolner and the Aesthetics of the Genre
… employs a narrative strategy, analyzing “the conception, performance, and reception” of a single Habad nign, … in the corpus are transcribed from the instrumental performance characteristic of Israeli Hasidic music. This … vocalizations sung without words. Apparently, this practice fostered the shared musical scales in cantorial and …
La serena + Non me lleves tú al muelle (Dame la mano palomba, Dame la mano palambo)
… of the stanzas by Haim suggest an inspiration of flamenco performance practices. Dame la mano, palomba para subir al tu nido. …