(159 results found)
Volekh (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … EvreEnts1908-1913, 13: 151 . “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named …
Mazltov far di mekhutonim (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … you get the full reference. “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named …
Sirba
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … a 2/4 rhythm.” Alpert 1996b, p. 59 . “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named …
Terkish (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … and recording references included). “The Terkish / A quasi-Oriental piece in duple meter, slow-moderate in tempo, using …
Ehad mi Yodea - Its sources, variations, and parodies
… focusing on changes introduced to the text and the music within different historical contexts and local Jewish … 201-226. (In Hebrew) Habermann, A.M. “Concerning ‘The Oriental Version of E h ad Mi Yode’a.’” Tarbiz 42 (1973), … Jewish Publication Society, 1963. Sharvit, Shimon. “The Oriental Version of ‘E h ad Mi Yodea’.” Tarbiz 41 (1972a), …
A Gneyve - A Yiddish Song of Theft and Poverty
… both in the ninth volume of his Thesaurus of Hebrew Oriental Melodies (1932), which is dedicated to Yiddish song … begins with the introductory “khapt im, nempt im” line. The music to this opening section is more dense than in the rest … Press. Idelsohn, Abraham Zvi. 1932. Thesaurus of Hebrew Oriental Melodies: Volume 9 The Folk Song of the East …
Karev Yom
… The interview was held at the initiative of the Israeli music connoisseur and collector Dudi Patimer. Speaking live … and movie actor, entertainer, and folk song revivalist. Music reviewers stresses his Yiddish or international … Bikel’s name appearing is small letters and with two simple Orientalist pencil drawings in its cover. It was revamped …
Hatikvah: Conceptions, Receptions and Reflections
… legislative design. Because of the “folk” origins of its music and the re-writing of Naftali Herz Imber’s poem … Hypotheses In the fourth volume (1923) of his Hebräisch-orientalischer Melodienschatz ( HOM , Berlin, Jerusalem, … Vienna, 10 vols., 1914-1932) dedicated to the music of the “Oriental Sephardic” Jews, the distinguished musicologist …
Haynt Iz Purim, Brider
… tape from the AMLI Library in Haifa digitized by the Feher Music Center at Beth Hatefutsoth and transferred to the … Harry Coopersmith and others. The sources of the text and music of this famous Purim song are multiple; studying them … Song Book , first edition 1918. [2] Volume 9 of Hebraïsch-orientalischer Melodienschatz . Leipzig: Friederich …
Na’aleh L’artzeinu – A Simple Melody with an Intricate Story
… remembered for his contributions to the liturgical music of American Reform Judaism and his work on Biblical … to the harmony rather than to create any feeling of Orientalism. Curiously, the musical notation for the singer … der osteuropäischen Juden , volume 9 of Hebraïsch-orientalischer Melodienschatz (HOM). Leipzig: Friederich …