(146 results found)
Hay ram galeh
… centuries. The zenith of this practice among Sephardic and Oriental Jews and the model for subsequent creativity is …
Seliha-Selihot
… Nefesh [self-reflection] on the passing year. Sephardic and oriental Jews maintain the tradition of reciting Selihot …
Elohim Eshala
… distributed in Arzi Records in New York. The painstakingly orientalistic orchestration by Moshe Wilensky (1910-1997), a … of great antiquity, going back (in the minds of romantic Orientalist European Jews) as far as the tunes of the … Elohim Eshala . Yemenite songs were considered then as too “Oriental” or “strange” by non-Yemenite Israeli listeners and …
Brakha Tzefira
… who came from a Western European background, to the oriental melodies. Jehoash Hirshberg , in his article about … singing. Their tour's program included songs of different oriental ethnic groups that Tzefira knew from her childhood … There, Tzefira continued collecting songs and melodies from oriental Jewish communities, Bedouins, and Arabs, which were …
Yiddish Folksong (The Music of the Yiddish Folksong)
… printed sources , München, 1989. Idelsohn, A.Z., Hebraeisch-orientalischer Melodienschatz , VIII-X, Leipzig, 1932. … of Yiddish Folksong Music Idelsohn, A.Z., Hebraeisch-orientalischer Melodienschatz , VIII-X, Leipzig, 1932. …
Music of the Ghetto and the Bible
… and elsewhere, the book is a document of the late Romantic Orientalistic views of Western intellectuals regarding the … in the East. … 1 … New York … Bloch … … 1934 … Research … Orientalism … Music history … Jewish music … Jewish …
Dort wo die Zeder: A Forgotten Zionist Anthem in German
… a dramatic cry for national Jewish redemption expressed in Orientalistic brushstrokes. The ashes and blood of Israelite … . [9] Abraham Zvi Idelsohn, Gesänge der orientalischen Sefardim . Jerusalem- Berlin- Wien, 1923, p. 116. (Hebräisch-orientalischer Melodieschatz IV). [10] This important …
The Israeli Mediterranean Style
… music. It was also qualified as signon Mizrahi (Eastern or oriental style, i.e., of the Middle East, the cradle of … and Menahem Avidom , the only Mediterranean composer whose oriental style was shaped by his studies and teaching in …
Atah Ehad
… the Teaching of Abraham Zvi Idelsohn, Peamim: Studies in Oriental Jewry 100, (2004), pp. 125-146 (In Hebrew). [3] …
Had Gadya
… song was introduced to the traditions of the Sephardic and Oriental Jews and was translated into the vernacular …