(193 results found)
The Jerusalem-Sephardic Tradition
… th centuries and developed under Turkish-Ottoman and Arabic musical influences. Contents The tradition of … This singing is part of the liturgical and para-liturgical musical tradition of communities that descended from Jews … Egypt. H azzanim (cantors) and payytanim passed on these traditions from generation to generation over hundreds of …

And Now We're All Brothers: Singing In Yiddish In Contemporary North America
… song in America, with emphasis on its relation to past traditions and present concerns, most particularly the … Holocaust and the construction of Jewish identities through musical performances. … 1 … 33942 … Farnham, Surrey … …

Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
… and below each word. However, the chant also has clear musical features, with a variety of scales, motives, … In the present paper, I will provide a new perspective on musical features of Jewish cantillation in the Eastern … correlates nicely with the dynamic story and transgressive traditions of Purim. We will find that the modes for Torah …
Assaf Shelleg
… devices constituted composers’ perceptions of Jewish musical traditions as much as they facilitated their dialectical … and territorial tropes. Shelleg is also a regular musical contributor at Ha’aretz newspaper. … Musicologist …
A centerpiece of the High Holydays liturgy: Shofet Kol Ha'aretz in Moroccan and Yemenite versions
… sung preceding and during the High Holidays. Ashkenazi musical traditions of Shofet kol ha'aretz Our previous feature on … development against the background of the various Ashkenazi musical cultures. The Ashkenazi tradition of this pizmon …
Four Melodies for Four Questions
… with liturgical ones (blessings, prayers and psalms). The musical repertoire for the performance of the Haggadah ’s … that probably enhanced the process of the Haggadah ’s musicalization. These additions also blurred the borderline … Until immigration to Israel, in the non-Ashkenazi Jewish traditions, as in the Ashkenazi ones, the Four Questions (as …
“Eli Eliyahu:” The Havdalah Piyyut and its Melodies
… is possible to distinguish between two branches of melodic traditions associated with this piyyut : the Ottoman/Iraqi … format. It is also possible to see that there is a musical rhyme matching the textual rhyme of each section of … … Iraq … Baghdad … Ottoman … North Africa … Middle East … Musical … Traditions … “Eli Eliyahu:” The Havdalah Piyyut …
The medieval Hebrew song Kikhlot yeini and its Purim connections: New sources on its music
… and its documentation are therefore formidable. However, musical renditions of the piyyut are rather rare and will be … that Kikhlot yeini has survived in two apparently unrelated musical strands which we have labeled “Zionist” and “Jewish” … Early Songs of the Land of Israel (Anthology of Music Traditions in Israel 12). In his liner notes Mazor writes: …
El Incendio de Saloniki: The Song of the Fire
… Greeks, and Muslims, each developing their own cultural traditions and speaking in their own languages.” 5 The Jews … with them as they migrated, including literary traditions, musical forms and the Judeo-Spanish language, Ladino. The Jewish musical life that developed in Saloniki consisted of these …
The Liturgy of Beta Israel: Music of the Ethiopian Jewish Prayer
… University of Jerusalem … AMTI 0114 … Anthology of Music Traditions in Israel … 26 … 9626 … 9431 … 23444 … 23445 … … Ethiopian … Jewish … Liturgy … Aliyah … Israel … Ethiopia … Musical traditions … Ethiopian Jews … Ethiopian … The Liturgy of …