(999 results found)
Chosen voices: the story of the American cantorate.
… (cantors) and the institutions of training. also discusses musical aspects of the repertoire. … 1 … … Mark Slobin … …
The Making of a Reform Jewish Cantor: Musical Authority, Cultural Investment.
… Press … … 2009 … The Making of a Reform Jewish Cantor: Musical Authority, Cultural Investment. …
A Gneyve - A Yiddish Song of Theft and Poverty
… points out the connection between the song's theme and the musicality of the melody. In his view, the altered Dorian … of this song, from 1927, is by Isa Kremer (1887-1956) (musical example 1). A renowned singer, Kremer was born in … also recorded this song on their 2007 self-titled album (musical example 2). Their liner notes state that they based …
Music Theory as an Expression of Musical and Extra-Musical Views Reflected in Leib Glantz's Liturgical Settings
… Glantz … Boaz Tarsi … Music Theory as an Expression of Musical and Extra-Musical Views Reflected in Leib Glantz's Liturgical Settings …
Karev Yom
… songs are by Yemenite-born musicians who were active in the musical scene of British Palestine, Sara Levi-Tanai and … at the Mannes School of Music with an already remarkable musical career in Israel following his immigration in 1948. … to a special melody is for the moment unknown. The present musical setting however provided it with a modern existence …
Hatikvah: Conceptions, Receptions and Reflections
… circumstances in which Imber’s poem was shaped and the musical contrafactum (adaption of a preexisting melody to a … orally. It underwent, in the process of its reception and musical performances, changes and adaptations. The printed … set to music. [14] Moreover, the immediate reception and musical arrangement of Hatikvah was not as swift as it …
Cross-Repertoire Motifs in Liturgical Music of the Ashkenazi Tradition: An Initial Lay of the Land
… motif … Motifs … Structure … Chazzan … Chazzanut … Hazzan … Musical structure … Repertoire … Synagogue … Synagogue music …
Qad Zawajunī - Here I Was Wed
… two stanzas) with each line consisting of two hemistiches. Musically, each textual line is accompanied by a melodic phrase. This pattern creates a binary musical structure of two phrases which alternate in an ABAB …
Vivat
… refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … “Vivat.” [Orgajeev, Bessarabia, c. 1930s-40s]. Bik 1964 . (Musical notation included). “At a wedding they used to play … Moldavian dance ‘Vivat’...” Goldin 1989, pp. 36-37 . (Musical notation included). “Vivat [also vivad]. long live! …
Vantsef (LKT)
… refers to the term in question. It also indicates whether musical notation or sound recordings are included in the …