(424 results found)
Society for Jewish Folk Music
… on the eve of the Russian Orthodox Easter, two Russian musicians met in an encounter that was to have impacts on classical and popular music to this day. Vladimir Stasov, music historian and … Nachman Bialik. The poem, rich in Biblical reference, expresses the poet’s desolation and loss of faith – “They say …
Freylekhs
… term that, in this case, signifies a musical genre. It seems that Freylekhs tunes comprised … and the Skutchne. Feldman also views the Freylekhs as a musical genre, however to define these tunes as a musical … [6] to name a few. This unclear situation is further expressed in the musical scores and CD's of the Klezmer …
Admor
… religious leader of the community and his authority is expressed in matters connected to Jewish law (Hallakha). He … Zemirot with them. He also took the job of renewing the musical tradition of the dynasty, and acted as a musical leader [3] . His son and successor was not as …
Ades Synagogue
… tradition. In Jerusalem, the Ades community maintains the musical tradition of the Aleppine Jews. Each Shabbat is … communities frequent Ades, along with visitors such as musicians or tourists who come to enjoy the special singing … Jews from Aleppo, Syria . Detroit: Wayne State University Press, 2000. 99. 'Ades Synagogue.' Wikipedia: The Free …
Yuval - Studies of the Jewish Music Research Center, vol. 5 - The Abraham Zvi Idelsohn Memorial Volume
… online on NLI website … 1 … 38896 … Jerusalem … The Magnes Press, The Hebrew University … Yuval - Studies of the Jewish Music Research Center … 5 … 9426 … 9434 … 9593 … 1986 תשמו … Jewish … Music … Research … Hava Nagila … Abraham Zvi Idelsohn … …
Hayrana Laih
… in the Arab world, but also has connections to Jewish musical contexts and musicians. The lyrics of Hayrana Laih … This website stresses the “Jewishness” of Hosni that was expressed, according to the testimonies included in the … of a Modern Diaspora. Berkeley: University of California Press, 1998. http://ark.cdlib.org/ark:/13030/ft2290045n/ [8] …
Moyshelekh Un Shloymelekh (part 2)
… Union College. It was published in New York (by Hensley Music Co.: Metro Music Co.) in 1966. Papernikoff's text portrays the tender … Sinai. Anthology of Yiddish folksongs . Jerusalem: Magnes Press, 1989. … 21770 … Moyshelekh Un Shloymelekh (part 2) … …
Moyshelekh Un Shloymelekh (part 1)
… is very clear. Each line is fitted with two bars in the music, and has the same rhythmic pattern (except the fifth line). The last line is repeated with different music, the repeat serves as coda. If we take the repetition … Sinai. Anthology of Yiddish folksongs . Jerusalem: Magnes Press, 1989. The picture is from …
Shofet Kol Ha'aretz
… Born in Hungary, Pressburg (Bratislava) Tradition. Self recording, 1960's. … line of the opening stanza, is the refrain (same words and music are repeated) and x, the last line of the rest of the … Shofet kol ha’aretz.” This is the earliest mention of the music of our poem, and obviously it indicates that in the …
Prayer for the state
… Synagogue … Liturgical Innovation in a Nation-State: The Music of the “Prayer for the Well-being of the State of … excellent article by Rabbi Prof. David Golinkin HERE The music of the “Prayer for the Well-being of the State of … The first part is an incisive recitative full of dramatic expression. It emphasizes the interval of the major third C-E …