(343 results found)
Zoock (Volkstanz) – Zhok (Folk dance)
… brings the listener back to the celebrative moments of traditional Jewish life. Stutschewsky wrote about this genre in his book … carry the names of famous klezmer players. And although the musical essence for these pieces were indeed influenced by …
Nahôn libbo is hujire – Whole-heartedly is the fearful believer
… with the holiday of Passover (see Shiloah 1983). Its traditional religious imagery could be read through the … exiled in the Promised Land. The inclusion of this Iraqi Jewish tune adapted from Idelsohn’s Thesaurus of Hebrew … the contrast between the Eastern European and the Iraqi musical worlds by means of two widely separated keys, F …
Lekha Dodi (Turin)
… the second part of each stanza as a refrain. … Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961) … …
Betzet Israel
… and Venice as a "melodic marker" of this holiday. … Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961) … …
Maoz Tzur
… followed by the hymn commemorating the reestablishment of Jewish worship in the Jerusalem Temple by the Maccabeans. … among Italian communities in Piedmont. … Italian Jewish Musical Traditions from the Leo Levi Collection (1954-1961) … …
77. Tu sos una rosa (Bosanski Instrumentalni i Pjevački Terzett)
… Another song documented only in the Sephardic tradition of Sarajevo. For additional written versions see … in all versions and therefore we included it here too. The musical style of the song with its waltz meter hints to its …
50. Bezokhri 'al mishkavi (Çakum Effendi)
… (חסדי ה' כי לא תמנו כי לא כלו רחמיו), is different from the traditional one printed in most Sephardic mahzorim taken … rhythmic cycle of 15/4 (sometimes 16/4) per phrase. The musical structure of the opening stanza is aabA and of the …
43. El infant cautivo (Çakum Effendi)
… is extremely brief (compare versions recorded from oral tradition, Havassy 2007 , Appendix, ES 106, BSG 089). Very … left of the romance’s narrative. However, the recording is musically rich, surrounded by instrumental interludes played …
24. El buceador (CES)
… performed by his wife Alegra Attias-Alhanati) and the musical transcription in his Cancionero ( Attias 1972 , pp. … the source of this rare Ladino song in two French traditional songs: L’embarquement de la fille aux chansons …
18. La hermosa durmiente (CES)
… preservation of the text in the many versions kept in oral tradition. This recording, unlike most of the documented … (4th stanza) and seems to have disappeared from oral tradition (see also Attias 1972, no. 15; Kalyviotis 2015 , p. 115). The musical rendition of the CES is unique in that in every …