(6 results found)
Die Tonarten des traditionellen Synagogengesanges (Steiger): ihr Verhaltnis zu den Kirchentonarten und den Tonarten der vorchristlichen Musikperiode; erlautert und durch Notenbeispiele erklaert
… … 1 … Vienna … … 1886 … Music … Liturgy … Ancient music … Church modes … Modes … Music theory … Steiger … Church … Ancient … mode … Ashkenazi … Joseph Singer … Die …
Rapport sur une mission scientifique en Turquie et Syrie
… 1899 … Liturgy … Piyyutim … Piyyut … Hebrew cantillation … Church music … Eastern Church music … Modes … Orient … Study tunes … Takhlil … Turkey … Study … …
The Concept of Mode in European Synagogue Chant
… Press, The Hebrew University … Yuval Studies … … 1971 … Modes … Synagogue … Synagogue music … Adonai Malach … Steiger … Ashkenaz … Church … Chant … Ashkenazi … Roman … Roman Church … Gregorian Chant … Rom … Ashkenazi … Bathja [Batya] …
The meaning of the Modal Framework in the Singing of Religious Hymns by Christian Arabs in Israel
… system of all the 'lachan's (such as that of Gregorian modes) is absent and differs among the research … … Yuval Studies … … 1971 … Music … Israel … Arab Music … Church music … Church … Christians … Christian … Lachan … Israeli … Dalia …
Musical Tradition and its Transmitters between Synagogue and Church
… historians to the question of Jewish influence on early Church music. The article deals with the possible approaches … transferring the Jewish musical practice to the Christian Church. … 2 … 163-180 … Jerusalem … The Magnes Press, The … … Yuval Studies … … 1971 … Jewish … Church music … Modes … Modality … Biblical chant … Church … Christian … …
The Music on Comtat-Venaissin
… and the Provencal. The poems, chansons, piyyutim , the modest theatre plays for Purim, are all written in the … of the Jews of Carpentras, under the insignia of the Church; and in a later age they are to be found on a …