(222 results found)
Tish-nigunim Ascribed to Yosl Tolner and the Aesthetics of the Genre
… high limit further (up to e♭’ ), as do the following parts, B and C (mm. 17–24, up to f’ ; mm. 32–48, up to g’ ). … frequency of the third degree ( b♭ ) throughout all four parts of the ABCB form. Alongside the aforementioned … modus, in melodic contour (more descending motives than in parts A and B), in rhythm (a new pattern of ♩♩♩ | 𝅗𝅥 ♩), and …
Yossef (Yusuf) Zaarur
… to the Jewish singer Suad Zaki and the couple spent parts of their lives in the United States and later on in … Congress, 1932, rooftop of the Cairo Academy of Music and Arts. Members of the Iraqi ensemble (right to left): … on Sabbaths and Jewish holidays, when their Jewish counterparts were not available. According to Zaarur’s daughter ( …
Iyr (1)
… are long, complex compositions usually consisting of three parts. The opening is a free polyphonic introductory section …
"Ahuv mehar hamor natan li morasha" (My beloved from the mountain of Myrrh has given me an inheritance)
Wedding ḥaduyya, praising the tradition, sanctity and joy of the wedding, signed…
"Vatzulna hataf al-alhan - Vehalleluya" (May the sound of the song come to me - Hallelujah)
… sixth are in Hebrew, and the others in Arabic. Here the parts that are sung are printed: the first stanza, the first …
Sara Levi-Tanai
… her a pivotal figure in the history of Israeli performing arts. Her artistic vision and dedication inspire generations …
Jacob Ben-Ami
… Over time, more prominent roles, including speaking parts, were given to him. In the summer of 1908, Ben-Ami …
"Sha'ali yefefiyah" (Ask, lovely one)
… song, Here, the singers change roles: Zecharia Yitzhak starts, and Yosef Ozeiri responds. The two final verses are …
Yoel Greenberg
… form as a self-organizing system, interactions of music, arts and literature in the early twentieth century, and …
"Vehalleluya" (Hallelujah)
… this type of response is repeated throughout the song. The parts are allocated in accordance with the poetic meter: the …