(1292 results found)
El Jiwneh Hagalil (Lied der galilaischen Arbeiter) – God will Build the Galilee (Galilee Worker’s Song)
… of sixteenth-century Safed. Through wide-spread popular and artistic renditions, it reached a new symbolic status in the … content of his album. El jiwneh Hagalil answered both the musical and pedagogical requirements of this album. … choral score included a dance metronome marking of quarter = 100, Saminsky’s maestoso, sostenuto indication and …
“Schlof majn Kind, ich wel dich wigen” (Wiegenlied) – Sleep my child, I will cradle you (Lullaby)
… ending, and a slow metronome appropriate for a lullaby (quarter = 46 in Schitomirsky and quarter equal 58-63 in Stutschewsky’s.) However, … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … “Schlof majn Kind, ich wel dich wigen” (Wiegenlied) …
Nahôn libbo is hujire – Whole-heartedly is the fearful believer
… tune adapted from Idelsohn’s Thesaurus of Hebrew Oriental Music (1923b: 140, no. 193) is an unexpected turn after four … contour, rhythm and fermatas as in Idelsohn’s source, apart from small additions: sixteen note rest (bar 1), tied … just punctuate it. The rather static, choral-like piano part indeed leaves the space open to the ornamented Iraqi …
“Die alte Kasche” (Volkslied) – The Old Question (Folksong)
… [1] Perhaps for this reason, Die alte Kasche appears in artistic arrangements by many composers. Among them are Arno … harmonization and reinforced the melodic line in the piano part, Stutschewsky moves away from the predictable from the … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … “Die alte Kasche” (Volkslied) – The Old Question …
Lied ohne Worte (chassidisch)
… Jews thrived and turned the Song without Words into pure music (is that a coincidence that a converted, assimilated … However, Stutschewsky’s harmonization in the piano part is extremely different from Nadel’s banal one. The tonic … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Lied ohne Worte (chassidisch) …
A Nigun on a soff (chassidisch) – A Tune without Ending
… Stutchewsky seems to hint at two sides of the same musical coin in Hasidic thought. Cyclical return and the … tense – klagend (lamenting) as indicated in the melody’s part. Transposing Schitomirsky’s F minor melody a fourth … harsh reality to devekut . While the constant descending quarter note movement in the piano’s accompaniment creates a …
Bulbe (Volkslied) – “Potato” (Folksong)
… retained this conventional harmony, and assigned the piano part a typical klezmer um-pah accompaniment pattern. … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Bulbe (Volkslied) – “Potato” (Folksong) …
Zoock (Volkstanz) – Zhok (Folk dance)
… to dance. Its origin is in the Moldavian and Rumanian music. The Zoock has well entered the klezmer repertoire, … first and third beat. [1] The fast metronome indication – quarter = 168-184 – and the drone style accompaniment evoke … pulse on the entire bar. [2] Each section of this three-part Zoock has a distinctive modal character. While the tonal …
Hebräischer Tanz (Original aufgenommen von S. Kisselgoff) – Hebrew Dance (Originally transcribed by S. Kisselgoff)
… pattern we found in the accompaniment of the Zoock’s first part. Half of the rhythmic pattern in the bar is marked forte … climax on bar 8 is rhythmical, offering a dissonant counterpart to the melody. The filling line from bar 3 sustains a … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Hebräischer Tanz (Original aufgenommen von S. …
Kol Nidrei (Gebet am Jom Kipur) – Kol Nidrei (Yom Kippur Prayer)
… approach that challenged established categories in Jewish music research. This concept was already introduced in the … polemic regarding the proper foundations of modern Jewish art music – the Eastern-European domestic folklore versus … alone, from within myself and consciously, I was whole-heartedly and totally – Jewish! [1] As we have seen, Engel had …