(1542 results found)
Enrico Fink
… from jazz to early music, from classical to contemporary, participating in and leading major groups and orchestras, but also giving classes, workshops, participating in service leading. In recent years one of his …
‘Le-El ‘Olam’ by Mordecai Dato: In search of a melody for an ancient Italian Hebrew poem
… the second of which is ‘Bo’i Kallah’ mentioned above as part of the expanded kabbalistic Qabbalat Shabbat . The … the familiar lyrics of ‘Adon ‘Olam’, a text he knew by heart? After all, ‘Le-El ‘Olam’ and ‘Adon ‘Olam’ and … well-known poem for the Sabbath by R. Mordecai Dato. As a parting salute to Mordechai Dato and his poetry, we invite …
"Laner velivsamim nafshi meyaḥla" (My heart longs for the candle and the incense)
… … Yemenite … "Laner velivsamim nafshi meyaḥla" (My heart longs for the candle and the incense) …
Vehalleluya (And Hallelujah)
… so that here, too, the range is a tetrachord for the most part. The melodic pattern consists of musical phrases sung on …
"Barek brik alḥama" (The lightning of our protection shone forth)
… first three stanzas of the shira , which is the central part of the sequence nahid - shira - hallel . While the …
"Shema ha'el ‘aneni batefillah" (Hear O Lord, answer my prayer)
… sort of rhapsodic prelude. The youth and children who take part in the event join the adult singers from time to time. …
"Shema ha'el ‘aneni batefillah" (Hear O Lord, answer my prayer)
… and not as a prelude to a shira . Therefore the first part, consisting of the first two verses, is sung in flexible rhythmic style, like a nashid , while the next part, the remaining verses, is rhythmical, like a shira , and …
"Vehalleluya" (Hallelujah)
… this type of response is repeated throughout the song. The parts are allocated in accordance with the poetic meter: the …
"Shabbat menuḥa hi" (Sabbath is a day of rest)
… this type of response is repeated throughout the song. The parts are allocated in accordance with the poetic meter: the …
Halleluya (Hallelujah)
… to the metrical units: the soloist sings the first part of each verse (--~~ -- ~--), and the ensemble responds with the second part (--~~-- --). The final verse of every stanza, the verse … The final repetition of the refrain is sung in a multipart texture of parallel intervals, indicating joyous emotion …