(1323 results found)
75. El barón despreciado (Bosanski Instrumentalni i Pjevački Terzett)
… Barona ti vo hacerte rica como a mí. Mis bienes te vo darte por un beso de ti. O, vate, vate, vate d’aquí, …
Lekha Dodi (Turin)
… still sung today with the congeration repeating the second part of each stanza as a refrain. … Italian Jewish Musical …
Dance Niggun
… … Contemporary … Hassidic … Hassidic music … Israeli art music … Israeli composers … Modern Jewish music … Niggun …
Sweet Hymns Shall Be My Chant
… … Contemporary … Hassidic … Hassidic music … Israeli art music … Israeli composers … Modern Jewish music … Niggun …
Gilu ha-Galilim (Rejoice Galileans)
… A second Aliya (1904-1914) song which became an integral part of the historical repertoire of Hebrew song. Both …
Enni enni tirttu dinam (The fifth of Iyyar)
… month of Iyyar May 14 1948 when the British rulers departed from Palestine at the end of the Mandate. It praises …
Raza Deshabbat
… Raza Deshabbat is the second part of a kabbalist Aramaic text that begins with the words …
“Unter dem kinds Wiegele” – Beneath the Baby’s Cradle
… Joel Engel The lullaby’s melody opens with calm, even quarter notes and is reinstated with a quarter note triplet rhythm in the next phrase. This … is underlined with an idiomatic bowing called louré [1] articulation (in bar 3). From a pedagogic viewpoint, this …
El Jiwneh Hagalil (Lied der galilaischen Arbeiter) – God will Build the Galilee (Galilee Worker’s Song)
… of sixteenth-century Safed. Through wide-spread popular and artistic renditions, it reached a new symbolic status in the … choral score included a dance metronome marking of quarter = 100, Saminsky’s maestoso, sostenuto indication and … dance feeling in favor of a rather slow Andante marked as quarter note = 76-84. Stutschewsky’s arrangement evokes a more …
“Schlof majn Kind, ich wel dich wigen” (Wiegenlied) – Sleep my child, I will cradle you (Lullaby)
… ending, and a slow metronome appropriate for a lullaby (quarter = 46 in Schitomirsky and quarter equal 58-63 in Stutschewsky’s.) However, … personal interpretation is again expressed in his piano part. The piano does not double the melody, but provides a …