VOLUMES

Volume

XI
2020
Niggun ‘Akedah: A Traditional Melody Concerning the Binding of Isaac
II - Niggun ‘Akedah: A Traditional Melody Concerning the Binding of Isaac

Volume

X
2016
Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
סוחר-צמר-פילוסוף יהודי במוצול דן במוסיקה בהשראת צפייה בריקוד צוּפי

Volume

IX
2015
Hatikvah: Conceptions, Receptions and Reflections
«A Special Kind of Antisemitism»: On Russian Nationalism and Jewish Music

Volume

VIII
2014
Greek Epic and Kypriaka: Why “Cyprus Matters”
Aristophanes’ Phrynichos and the Orientalizing Musical Pattern
Aspects of Music Culture in the Land of Israel during the Hellenistic, Roman and Byzantine Periods: Sepphoris as a Case Study
Soothing Lyres and epôidai: Music Therapy and the Cases of Orpheus, Empedocles and David
Sounds from under the Ashes: The Music of Cults and Mysteries in the Ancient Vesuvian Land
Ancient Music in the Modern Classroom
A Brief Account of the Development of the Field of Music Archaeology
The Mesopotamian Theory of Music and the Ugarit Notation — a Reexamination
Mesopotamian Music Theory Since 1977
Sounds from the Divine: Religious Musical Instruments in the Ancient Near East
The Balaĝ Instrument and its Role in the Cult of Ancient Mesopotamia
The Ala-Instrument: its Identification and Role
Musical Practices and Instruments in Late Bronze Age Ugarit (Syria)
Nudity and Music in Anatolian Mythological Seduction Scenes and Iconographic Imagery
Illusions of Grandeur: The Instruments of Daniel 3 Reconsidered

Volume

VII
2002
Le monument juif d'epoque romane de Rouen: Ce que nous enseignent les graffiti
The Bergamasca: Some Jewish Links?
Jewish Singing and Boxing in Georgian England
To Please Both the Ear and the Eye: Moses Mendelssohn, Equal Temperament and the Delian Problem
Unintentional History: Musical Moments in 1930s Yiddish Films
על המצע המוסיקלי של ״המהפכה הספרדית״ בצורות השיר העברי בימי הביניים
Inventing Jewish Music
כוחו של הניגון בהגות החסידית ותפקידו בהווי הדתי והחברתי
Sur le concept de musique juive
Vom liturgischen Sprechgesang zur autonomen Musiksprache: Stationen der Entwicklung yon abendlandischer Notenschrift und Musikgeschichte
Orality as Religious Ideal: The Music of East-European Jewish Prayer
Music in Sixteenth-Century Kabbalah in Northern Africa
Salamone Rossi as a Composer of "Hebrew" Music
Songs of Grief and Hope: Ancient Western-Sephardi Melodies of Qinot for the Ninth of Av
The Priestly Blessing in the Ashkenazi Synagogue: Ritual and Chant
The Training of Hazzanim in Nineteenth-Century Germany
The Karaite Jews of Israel Reconstruct their Heritage

Volume

VI
1994
Towards an Interdisciplinary Study of Jewish Oral Traditions
Plurivocality in the Liturgical Music of the Jews of San‘a (Yemen)
Towards a Typology of the Judeo-Spanish Folksong: Gerineldo and the Romance Model
A Hassidic Ritual Dance: The Mitsve Tants in Jerusalemite Weddings
The Rules of the Oral Transmission of the Mishnah According to the Aleppo Tradition

Volume

V
1986
An Institute of Jewish Music in Jerusalem
The Music and its Function in the Singing of the Qasīd anda birabbī dī kalaq
A.Z. Idelsohn: A Pioneer in Jewish Ethnomusicology
Idelsohn’s Scholarly and Literary Publications: An Annotated Bibliography
Persistence and Transformation of a Sephardi - Penitential Hymn under Changing Environmental Conditions
The Archives of the World Centre for Jewish Music in Palestine, 1936-1940, at the Jewish National and University Library, Jerusalem
La place traditionnelle du melisme dans la cantillation
The Performance Practice of the Rig-Veda: A Musical Expression of Excited Speech
Neue Aspekte zum strukturellen Zusammenhang zwischen Tæamê emet und hebräisch-orientalische Psalmodie
Music in the Testament of Job
Exemplification and the Limits of “Correctness”: The Implicit Methodology of Idelsohn’s "Thesaurus"
Jewish Liturgical Forms in the Falasha Liturgy? A Comparative Study
Numerical Representation of Variants of Orally Transmitted Tunes
Introduction to Idelsohn’s Autobiographical Sketches
Three Musical Ceremonies for Hôšanā Rabbah in the Jewish Community of Casale Monferrato (1732, 1733, 1735)
My Life: A Sketch
The Hallelôt in the Yemenite Dīwān
The Announcement of the Institute of Jewish Music in Jerusalem by A.Z. Idelsohn and S.Z. Rivlin in 1910
A.Z. Idelsohn and the Study of the Traditional Pronunciations of Hebrew
Idelsohn: The Founder and Builder of the Science of Jewish Music – A Creator of Jewish Song
Yemenite Qasīd Songs

Volume

IV
1982
Paradigms of Arabic Modes in the Genizah Fragment Cambridge T.S. N.S. 90,4
The Titles of the Psalms - A Renewed Investigation of an Old Problem
A Jewish Sufi on the Influence of Music
Heinrich Schalit and Paul Ben-Haim in Munich
Music and Prophetic Kabbalah
Eduard Birnbaum - a Bibliography
The Musical Realization of Biblical Cantillation Symbols (te‘amîm) in the Jewish Yemenite Tradition
The Musical Passage in Ibn Ezra's "Book of the Garden"
Notes on Bukharan Music in Israel
Felix Mendelssohn - Gustav Mahler: Two Borderline Cases of German-Jewish Assimilation
Collectanea Concerning Music in the Hebrew Manuscript London, British Library, Or. 10878
The Magical and Theurgic Interpretation of Music in Jewish Sources from the Renaissance to Hassidism

Volume

III
1974
The Hebrew Version of Abû l-Salt’s Treatise on Music
Jubal in the Middle Ages
Robert Lachmann: His Achievement and His Legacy
The Reliability of Oral Transmission: The Case of Samaritan Music
The Hasidic Dance-Niggûn - A Study Collection and its Classificatory Analysis
“‘Ên Kol"- Commentaire hébraïque de Šem Tov ibn Šaprût sur le Canon d’Avicenne
Melody and Poetry in the “Kuzari”
The Influence of Choral Elements on the Formation and Development of the Piyyût Genres

Volume

II
1971
The Concept of Mode in European Synagogue Chant
The Meaning of the Modal Framework in the Singing of Religious Hymns by Christian Arabs in Israel
The Music of Kurdistan Jews - a Synopsis of their Musical Styles
Le Niggûn Merôn
Qalonimus ben Qalonimus. Ma’amar be-mispar hahokmôt. Chapitre III, Paragraphe 6 (La Musique)
The Treatise on Music Translated into Hebrew by Juda ben Isaac (Paris B.N. Héb. 1037, 22v-27v)
Musical Tradition and its Transmitters between Synagogue and Church
Ne‘ima (Nagmah) in Medieval Hebrew Literature — The term mūsīqā in Medieval Hebrew Literature (supplement to the article published in Yuval I)
Fragment hébraïque d’un traité attribué a Marchetto de Padoue

Volume

I
1968
Le traité anonyme du manuscrit Hébreu 1037 de la Bibliotheque Nationale de Paris
La musique juive dans l’Espagne médiévale
The Cantorial Fantasia of the Eighteenth and Nineteenth Centuries
Traces of Jewish Musicians in the Writings of Lomazzo
The Biblical NEBEL
Nicomaque, Aristote et Terpandre devant la transformation de l’heptacorde grec en octocorde
Remarks Concerning the Use of the Melograph in Ethnomusicological Studies
Vocal Folk-Polyphonies of the Western Orient in Jewish Tradition
A la recherche du Tonus Peregrinus dans la tradition musicale juive
Self-Revelation and the Law - Arnold Schoenberg in his Religious Works
Deux textes arabes inédits sur la musique
The “Proclamation Style” in Hebrew Music
The Term mûsîqah in Mediaeval Jewish Literature
The Reading of Marka’s Poems by the Samaritans on the Sabbath

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