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Anim Zemirot

… melody's source is unknown. This melody is in the minor mode and it most likely originated in the Jewish communities … of Rosh HaShanna This melody is sung in the Ahava Raba mode , and has a faster temperament than the previous two … High-Holy Days and Sim h at Torah. Furthermore there are modern melodies and adaptations to existing melodies that …

Shir HaKavod

… an unknown source. Melody 2: This melody is in the minor mode and it most likely originated in the Jewish communities … of Rosh HaShanna. Melody 3: Melody sung in the Ahava Raba mode, and generally has a faster tempo than the other … High Holy Days and Sim h at Torah. Furthermore, there are modern melodies and adaptations to existing melodies that …

Had Gadya

… in a German Haggadah (Hamburg-Altona, 1751). A more modern version, with English translation. The Study of H ad … the object of intensive study by a distinguished gallery of modern Jewish and non-Jewish scholars since the early … Fox and Tabory’s main findings succinctly and exemplify the modern fate of the song with in contemporary Israeli musical …

Had Gadya in Israeli Culture

… a German Haggadah (Hamburg-Altona, 1751) followed by a more modern version with English translation. The Study of H … the object of intensive study by a distinguished gallery of modern Jewish and non-Jewish scholars since the early … Fox and Tabory’s main findings succinctly and exemplify the modern fate of the song with in contemporary Israeli musical …

In Zaltsikn Yam - A Yiddish Workers' Song

… to the song. The first is a monophonic melody in a minor mode and in a triple meter, either in ¾ or in 6/8. It is … the piano accompaniment, take the song to an aesthetic of modern composition rather than folk song. A recording of … melody, as it was published by Glattstein, is in a g-minor mode and it has four melodic phrases that follow the four …