(71 results found)
Na’aleh L’artzeinu – A Simple Melody with an Intricate Story
… transliterated in Latin letters in an inconsistent mix of Ashkenazic and Sephardic pronunciations. None of the songs … in Binder’s piano arrangement, which serve to add a Western chromaticism to the harmony rather than to create … to the prayer sung (or more precisely, melodeclamated) by Ashkenazic women at the end of Shabbat known as “Got fun …
Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
… in the areas that comprise today Lithuania, Belarus, Western Russia, Ukraine and Poland and is now widely practiced in Ashkenazi congregations around the world. There are six sets … grounding in tradition in his own family of immigrants from Western Ukraine, close contact with leading cantors in the …
A centerpiece of the High Holydays liturgy: Shofet Kol Ha'aretz in Moroccan and Yemenite versions
… 1. Bavaria/Frankfurt-Main 2. Venizia/Gorizia 3. Province Ashkenazi/Sephardi Ashkenazi/Sephardi Ashkenazi/Sephardi 3 … 13 th century containing our poem (twice) is the French (Western Ashkenazi) order of prayers for the High Holy Days, … poem, and obviously it indicates that in the circle of the (Western Ashkenazi) users of this manuscript there was an …
Debbie Friedman’s Shema’ Koleinu: An ancient prayer in a new musical garment
… text. A number of melodies for 'Shema' Koleinu' written by Ashkenazi composers in the twentieth century are in the … route and set the melody in the major scale. In Ashkenazi cantorial music, the major scale and its … a feeling of mercy according to the affects’ conventions of Western music. Yet immediately afterwards, instead of the …
The Cantorial Fantasia of the Eighteenth and Nineteenth Centuries
… - Cantors … Hebrew cantillation … Synagogue music … Western Ashkenaz … Ashkenazi … Cantorial Fantasia … The Cantorial Fantasia of …
Niggun ‘Akedah: A Traditional Melody Concerning the Binding of Isaac
… Niggun ‘Akedah is an Ashkenazi melody firmly associated with the Binding of … Issac in various ways. Ashkenazi Jews did not employ Western notation until the late eighteenth century and … of Jews within the Ashkenazi realm became proficient in Western music notation, enabling them to record Jewish …
Moshe Attias
… narratives of forced cultural erasure by an aggressive Ashkenazi-dominated establishment. Mwijo’s repertoire also … in opposition to his later signature appearance with a Western suit (or at times, a Moroccan djellaba ) with a … Paradoxically too, the song in honor of Rabin, an icon of Ashkenazi Israeliness, is one of the most mizrahi songs …
The Fall of Jerusalem in Song: The Ashkenazi Melody She’eh ne’esar
… ne'esar' in his A Voice Still Heard: The Sacred Song of the Ashkenazic Jews (University Park and London, 1976, pp. … Hamnazeah , 1898, no. 66 Avenary mentioned that the “Western” melody, i.e. Sulzer’s, is similar to German folk … Let’s note here that Idelsohn’s comparative approach of Western Ashkenazi metric melodies such as “She’eh ne’esar” …
German Jewish Sacred Musical Intersections
… analyze and make German Jewish liturgical music ( minhag Ashkenaz ) accessible to the scholarly community and to the … this study will also challenge the binary construct of Western and Eastern Ashkenaz that has been criticized in … of Jewish studies. The German model spread well beyond Western Europe, becoming the inspiration for the music of …
Beregovski Collection - Nign no. 3
… traits that are common to the Hassidic repertoire from Western Ukraine: Slow development of the melodic contour. … degrees, recall older strata of the Eastern European Ashkenazi music. This mode is common in prayer tunes, in the … to a period of crystallization prior to the penetration of Western tonal thinking (expressed mostly in chordal melodic …